Ceci est une version archivée de EipC à 2023-09-07 15:17:27
Artistes dont le nom bommence par C
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<h1 align = "center"><font size = "7" face = "Arial, Helvetica, sans-serif">C</font></h1>
</a>
- <p> </p>
<p><a href = "http://www.cac-frank-popper.fr/"><strong>CAC Frank Poppe</strong>r</a> . A museum and art center in Burgundy. </p>
<a name = "Cacaly"></a>
<p><strong>Cacaly Serge</strong>
- <br>
- < <i>Image et vidéodisque</i>. Serge Cacaly ed. La documentation française
- 1988. </p>
<img src = "Images/Cadet_2013.jpg" width = 300><h6>France Cadet: Robot mon amour. </h6>
- <p><a name = "Cade"></a><strong><a href = "https://www.researchgate.net/publication/291397464_CADE_Computers_in_Art_and_Design_Education_2001_Digital_Creativity_Crossing_the_Border_Glasgow_9-12_April_2001">Cade</a></strong>
- Computers in Art and Design Education. Does'nt seem active since 2001. </p>
- <a name = "Cadet"></a>
- <p><a href = "http://76.74.242.190/~cyber786/index_a.html"><strong>Cadet France</strong></a>.
- Robot art, mainly with computer driven small objects or animals. <br>
- > <em>Cyber Pin Up </em>(2017)<br>
- > <em>Cyberleçon</em> (2013). <br>
- > <em>Robot mon amour</em> (2013). Interactive photograph.,video. <em>Cyborg
- #11</em>, <em>Cyborg #12</em>, Cyborg #9 . Prints. <br>
- > <em>Anatomies</em> (2010). Serigraphic printings to be strectched.
- <br>
- > <em>Gaude Mihi</em> (2008). Interactive robot. <br>
- ><em> Boites à mmh</em> (2008). Inspired by "Meuh boxes".
- Upside down sextoys. <br>
- > <em>Dog[lab]01</em> (2004). A collection of dogs (i-Cybie, not Aibo)
- "genetically modified" [<a href = "Eipm.htm#Moulon">Moulon</a>]
- p.41-42 with one photo. <br>
- > <em>Puzzles</em> (2001). Jigsaw puzzles of dancing girls body parts.
- </p>
<a name = "Cadioli"></a>
<p><a href = "http://www.marcocadioli.com/"><strong>Cadioli Marco</strong></a> (aka Marco Manray) "Photographer in virtual worlds" <br>
> <em>Marco Manray</em> (2005) </p>
<p><a name = "Cadon"></a></p>
<p><A href = "http://benjah.free.fr"><strong>Cadon Benjamin</strong></A> Works on the Big Bang. The website is difficutl to be used. <br>
</p>
<p><a name = "Cadoz"></a><strong>Cadoz Claude</strong><br>
< <em>Les réalités virtuelles</em>. Flammarion 1994.</p>
<p><a name = "Caen"></a><strong>Caen</strong> (Normandie, France). See our <a href = "Geography/Normandy.html#Caen">geography</a>. </p>
<img src = "Images/cage_john.jpg" alt = "agam" width = "287" >
<h6>Cage in full action at EEACC</h6>
.
- <p><a name = "Cage"></a><strong>Cage John </strong> Music player and composer.
- See the <a href = "http://brahms.ircam.fr/composers/composer/679/">Brahms</a>
- base page. Cited by [<a href = "Eipb.htm#Baudouin">Baudouin</a>]. <br>
- Takes part in <em>9 Evenings, Theater and Engineering</em> (1966, see
- .<br>
- > <em>HPSCHD </em>(1969). With Lejaren Hiller. Score for "7 harpsichords
- playing randomly-processed music by Mozart and other composers, 51 tapes
- of computer-generated sounds, approximatily 5,000 slides of abstract designs
- and space exploration and several films". Cited by [<a href = "::/Eipd.htm#Dixon">Dixon
- 2007</a>]. <br>
- The <a href = "Autres_auteurs/Collaer.html">Paul Collaer</a> (1965) standpoint.
- <span class = "marron"> </span>Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>]
- p. 35, 58. <br>
- <<em> 273 Relics for John Cage (A likeness is an aid to memory)</em>,
- by Paul Soulellis. Soulellis 2011-2012. (Bought at a shop for Artists books
- in NY, Oct. 2012). <br>
- > <em>Dream Houses</em> (1963 and after). with Marian Zazeela. "sound
- and light environments, total sensorial installations, places for spiritual
- experiences... questioning time and space simultaneously"<br>
- (from [<a href = "Eipl.htm#Leloup">Leloup, 2013</a>]).<br>
- > <em>Imaginary Landscape no 4</em> (1951). Quoted by [<a href = "Eipl.htm#Leloup">Leloup,
- 2013</a>] as a precursor moment of ambient music. <br>
- > <em>Variations III</em> no 16(1992). Non digital generative art: traces
- of fire and smoke on paper. </p>
<a name = "Cagol"></a>
<p><a href = "http://www.stefanocagol.com/"><strong>Cagol Stefano</strong></a>
- <br>
> <a href = "http://www.stefanocagol.com/y/index.html">Diary Project 01</a> (20001). web project, New York, USA
<p><a name = "Cahen Olivier"></a></p>
<p><strong>Cahen Olivier </strong><br>
< <em>L'image en relief, du film au numérique</em>. Presses de l'Ecole des Mines 1999. </p>
<p><a name = "Cahen_Robert"></a> </p>
<p><strong>Cahen Robert</strong><br>
- > <em>Tombe avec les mots</em> (2000). "some words falling slowly towards the bottom of a large blue video screen". <a href = "Eipc.htm#Couchot"> Couchot 2003</a> (our translation) </p>
<p><a name = "Cahen_Roland"></a><strong>Cahen Roland</strong>. Writer, music composer, stage director and electro-acoustic music interpreter..<br>
- ><em> Le jardin des amours</em> (2011). He makes the musical part. Commented by <a href = "Eipa.htm#Aziosmanoff_Florent">Aziozmanoff 2015</a>. <br>
- >
- <em>Tournez sons</em> (2005) - [<a href = "Eipa.htm#Aziosmanoff">Aziosmanoff</a>] contains ten pages about this work. </p>
- <p><a name = "Cahill"></a><strong>Cahill Thaddeus</strong>. <a href = "https://en.wikipedia.org/wiki/Thaddeus_Cahill">Wikipedia</a>.<br>
- > <em>Dynamophone</em> (1906) the first electro-acoustic instrument.</p>
- <a name = "Caillaud"></a>
- <p> <strong>Caillaud Bernard </strong><br>
- <<em> La création numérique visuelle: aspects du computer
- art depuis ses origines</em>. Europia 2001. </p>
- <a name = "Caiman"></a>
<p><a href = "http://www.caimans-prod.com/"><strong>Caïman Productions. </strong></a> Company founded 2002 by Jérôme Barthélemy and Daniel Sauvage. Produces short films, in particular animation. An article in Movie Création, Sept./Oct. 2010.
<p><a name = "Caillaud"></a><strong>Caillaud Bernard</strong> . <a href = "http://europia.org/CAJ/paper_01.html">Web page.</a> More a color theorist than an artist. Nevertheless, he is studied as an artist, along 22 pages, by [<a href = "Eips.htm#Sobieszczanski">Sobieszcsansky</a>]. <br>
- < <em>La création numérique visuelle. Aspects du computer
- art depuis ses origines</em>, by Bernard Caillaud. Europia. A large book
- with many images. </p>
- <a name = "Calatrava"></a>
- <p><a href = "http://www.calatrava.com/"><strong>Calatrava Santiago</strong></a>.
- Architect. Quoted by <a href = "Eipt.htm#Terracol">Terracol</a> with picture
- for Möbius surfaces. <br>
- > <em>Bach de Roda Bridge</em> (1987). <a href = "http://www.calatrava.com/projects/bach-de-roda-felipe-ii-bridge-barcelona.html">Webpage</a>.
- </p>
- <a name = "Calc"></a></p>
<p><strong>Calc</strong> (c a l c) <br>
> <em>communimage</em> (1999), by c a l c and Johannes Gees.</p>
<P><a name = "Callet"></a> <strong>Callet Patrick</strong>
- Former Afig president. Interview <I>AH No</I> <A HREF = "Hebdo/zhebd03/hebdo03.htm">03</A>
- <br>
- <
- <i>Couleur-lumière, couleur-matière</i>, by Patrick Callet.
- Diderot Arts et Sciences (out of stock).<br>
- See the
- <a href = "http://www.ladocumentationfrancaise.fr/var/storage/rapports-publics/994000200.pdf">part he wrote</a> in the Risset report.</P>
<p><a name = "Calliope"></a><strong>Calliope</strong>. See <a href = "Eipd.htm#Ducrocq">Albert Ducrocq</a>.
<p><a name = "Calos"></a><strong>Calos Nino. </strong>
Light art.
[<a href = "Eipp.htm#Popper1 ">Popper 1</a>] p. 103
<p> <a name = "Calteux"></a><strong>Calteux Claude</strong><i><br>
- <
L'ordinateur chef d'orchestre</i>. Marabout 1998. </p><a name = "Calvacreation"></a>
<p><strong>Calvacréation.</strong> Group founded in 2001 by Sabrina Montiel-Soto and Fabrice Croizé. <br>
> <em>Lago Negro</em> (2008). Multimedia installation denouncing ecological degradations of Maracaraibo lake. [<a href = "Eipm.htm#Moulon">Moulon</a>] p.96-97 with a picture. </p>
<img src = "Images/Cambiaire58 .jpg" alt = "Cambiaire" width = "287" ><h6>Christian de Cambiaire. One of the first French algorists</h6>
<p><a name = "Cambiaire"></a><strong>de Cambiaire Christian. </strong>
- <a href = "http://www.facebook.com/profile.php?id = 100000212105376">Page Facebook</a>.<br>
- A member of
- “Les Algoristes” Still creative, after some 50 years of production. <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 64. </p>
<p><a name = "Camburet"></a> </p>
<p><strong>Camburet Lione</strong>l. A member of <a href = " Eipg.htm#Gigacircus">Gigacircus</a>.</p>
<a name = "Cameron_Andy"></a>
<p><a href = "http://www.andycameron.info/"><strong>Cameron Andy </strong></a><br>
< <em>The art of experimental interaction design</em>. by Andy Cameron. IDN 2004. An introduction and the presentation of some dozens of works. <br>
> Anti-ROM (1995 c.). A collaborative project, within SASS: Andy Cameron, Rob Le Quesne, Sophie Pendrell, Luke Pendrell, Andy Polaine, Tomas Roope and Joe Stephenson. Quoted with a picture in [<a href = "Eipv.htm#Vroege">Vroege</a>]</p>
<a name = "Cameron_James"></a><br>
<p> <strong>Cameron James</strong>. Film director. <br>
> <em>Avatar</em> (2010). See <a href = "Eipa.htm#Avatar">the film</a>.<br>
. As a transmedia work, multiple quotations in [<a href = "Eipr.htm#Rose">Rose</a>].<br>
."The 3D version produced by James Cameron, combined
with the present economical crisis, takes us to see Titanic
with new eyes. And gives new depths to the mad dream of the
producer". A two pages story, signed
Frédéric Strauss, in Télérama,
4/4/2012.
. Three pages ( tabloid format) for an interview of James Cameron about the 3D version of Titanic, signed by Samuel Blumenfeld in Le Monde (Culture et idées), 4/3/2012. <br>
> <em>Terminator</em> (1984). </p><a name = "Campbell_Andy"></a>
<p><strong>Campbell Andy</strong><br>
- > <em>The Rut.</em> An hypermediatic work. Somehow <a href = "http://www.dreamingmethods.com/penn/">online</a>. <br>
- <br>
- <a name = "Campbell_Jim"></a><strong>Campbell Jim</strong>. Photographer using LED's. <br>
- > <em>Library</em> (2003). Installation with leds. Quoted by [<a href = "Eipm.htm#Moulon">Moulon</a>] p.49-50 with a picture. <br>
- > <em>Avenue cutaway #2</em><em>?</em> 2001. Modified photo [<a href = "Eipp.htm#Paul">Paul</a>]. <br>
- > <em>Photo of my mother</em> (1996) [<a href = "Eipw.Wands">Wands</a>]. Cited with picture in Artpress2 <em>Art in the digital age</em>, may-june-july 2013<br>
- > <em>Photo of my fathe</em>r</b> (1994) until 1995 Special photographs on glass [<a href = "Eipw.Wands">Wands</a>].<br>
- > <em> Hallucination</em> (1988) until 1990. Interaction [<a href = "Eipp.htm#Paul">Paul</a>]. <br>
</p>
<p><a name = "Campbell_John"></a><strong>Campbell John</strong><em><br>
- >
- Temporal distorsion</em>, (2002). Inkjet print [<a href = "Eipw.htm#Wands">Wands</a>]. </p><a name = "Campbell_Kurt"></a>
<p><a href = "http://www.michaelis.uct.ac.za/staff/campbell/"><strong>Campbell Kurt</strong></a>. Typography. and sculpture. <br>
- > <em>Boxing Ghosts</em> (2015). Solo exhibition. Augmented Reality Art in conversation with the
- District Six Museum Archive <br>
> <em>Caggen </em>(2000). Font . </p>
<p><a name = "Campeaux"></a> </p>
<p><strong>Campeaux Stéphanie<br>
- < </strong><em>Book of Creation</em>. Hiver 2011/2012. <a href = "http://ww3.advancedcreation.fr/bookofcreation/">Website</a>.<br>
- More in <a href = "Dipc.htm#Campeaux">French</a>. </p>
<a name = "Campus_Peter"></a><a name = "Campus"></a>
<p><strong>Campus Peter</strong>
- <br>
- > <em>More</em> (1994),
[<a href = "Eipp.htm#Paul">Paul</a>], with a picture. <br>
- <a href = "Eipc.htm#Couchot">Couchot 2003</a>. </p><a name = "Canada"></a><br>
<p><strong>Canada</strong>. See our <a href = "Geography/America.html#Canada">geography</a>. </p>
<a name = "Canali"></a>
- <p><a href = "http://www.mariocanali.com/"><strong>Canali Mario</strong></a>.
- Painting and interactive systems. <br>
- > <em>Ritmi </em>(1997). Interactive installation. </p>
- <a name = "Candela"></a>
- <p><strong>Candela Felix</strong>. Architect. <a href = "https://en.wikipedia.org/wiki/F%C3%A9lix_Candela">Wikipedia</a>.<br>
- > <em>Iglesia de San Jose Obrero</em> (1959). Quoted by <a href = "Eipt.htm#Terracol">Terracol</a>
- with picture, for his use of hyperbolic paraboloids. Terracol gives also
- picturess of two other buildings. </p>
- <a name = "Candy"></a>
<p><a href = "http://main.michaelcandy.com/"><strong>Candy Michael</strong></a>. Kinetic installations.<br>
- > <em>Big Dipper </em>(2015). Comments about <a href = "http://www.prixcube.com/folio/michael-candy-australie/">Prix Cube 2016</a>. </p>
<p><a name = "Cani"></a><strong>Cani Marie-Paule</strong><br>
- Professor and researcher, Inrialpes.<br>
- In 2015, professor at College de France. "Façonner l'imaginaire: de la création 3D aux mondes virtuels animés". <a href = " Blog/Cani.html">Our interview wih Marie-Paule</a> (in French). </p>
- <a name = "Canogar"></a>
- <p><strong>Canogar Daniel</strong>. <a href = "http://www.bitforms.com/artists/canogar">Bitforms</a>
- gallery, New York. <br>
- > <em>Sikka</em>, 2012. <br>
- > <em>Palimpsesto</em> (2008). 6pages with pictures in in [<a href = "Eipa.htm#Algora">Algora</a>].<br>
- > <em>Digital Hide </em> (2000) [<a href = "Eipp.htm#Paul">Paul</a>]. <br>
- > <em>Horror vacui </em> (1999) (photo) [<a href = "Eipp.htm#Paul">Paul</a>].
- </p>
<a name = "Canon"></a><br>
<p><a href = "http://www.canon.com/"><strong>Canon</strong></a>. Manufacturer of a lot of electronic devices. </p>
<img src = "Images/rejane-cantoni.JPG" alt = "cantoni" width = "287" >
- <h6>Rejane Cantoni: Hyper-apple.</h6>
<p><a name = "Cante"></a> </p>
<p><strong>Cante Nicolas</strong><br>
- (as an example) Program in October 2010 and comments in the <a href = "Blog/Cante_2011_10.htm">communiqué</a>. <br>
- > <em>Mekanik Kantatik </em>(2008). In 2011, <a href = "http://www.kantatik.net/?page_id = 24">Concert</a> for the Gaïté lyrique opening. </p>
<p><a name = "Canto"></a>
</p>
<p><strong>Canto Siegfried</strong>. Multimedia. Public space interventions, projections on building.. <br>
- > <em>Les locataires</em> (2011). Projection on a building in Saint-Brieuc
- (Brittani, France) for ArtRock . <br>
- > <em>A mains nues</em> (2011). <br>
> <em>Tu penses donc je te suis</em> (2000). with Magali Desbazeille. Interactive installation. [<a href = "Eipm.htm#Moulon">Moulon</a>] p. 11.</p>
<a name = "Cantoni"></a>
<p><a href = "https://www.facebook.com/rejane.cantoni"><strong>Cantoni Rejane</strong></a> Human-machine interfaces, science and technology, virtual reality, cyberspace, semiotics. <br>
- Around 2012, she presented superb animated home page, evoking Tinguely,
- in a more positive poetic mood. No longer online in June 2017. <br>
- Assistant professor at Catholic pontifical university of Sao Paulo.
<br>
> <em> Hyper-apple (2010 c.) </em></p>
<p><a name = "Cantrill"></a></p>
<p><strong>Cantrill
- Arthur</strong> and <strong> Cantrill
Corinne</strong>. <a href =
"http://en.wikipedia.org/wiki/Arthur_and_Corinne_Cantrill"
>Wikipedia</a>. Filmmakers, academics, composers and
authors. They have worked in children's educational film,
experimental 16mm shorts, multiple projection films,
feature length experimental film, kinetic film and
performance film, which they labelled 'expanded
- <em>> Henri Gaudier-Brzeska</em> (1968). </p>
<p><a name = "Cantz"></a>
<strong>Cantz Hatje</strong>.
CyberArts2004 . Ars Electonica 2004.</p>
- <a name = "Cao"></a>
- <p><a href = "https://caoyuxi.com/"><strong>Cao Yuxi (James)</strong></a>.
- Cao Yuxi(James)is an artist and coder based in New York City who defines
- himself as an idealist trying to redeem his pledge under the social pragmatism
- pressure. Cao Yuxi designs, collaborates and consults on projects across
- the spectrum of sound-visualisation, programming and computing. His innovative
- approach of creating art and incorporating technology has enabled Cao Yuxi
- to generate and shape numerous design projects including space design, new
- media art installation and public art in both China and the US. (According
- to <a href = "http://www.artjaws.com/en/portfolio/cao-yuxi-james/">Artjaws</a>).
- </p>
- <a name = "Capozzo"></a>
<p><strong>Capozzo Alessandro</strong>. Generative painting. <a href = "http://www.abstract-codex.net/">Abstract Codex</a> page. <br>
<em>> Relations environment</em> (2004). added to processing.org exhibition</p>
<a name = "Capture"></a>.
<p><strong>Capture</strong>. "Rock group" made of several computers. <br>
- See [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 61.
- It is presented on <a href = "http://gregory.incident.net/project/capture/">Grégory
- Chatonsky</a> website, including a sound track. It is a collective work
- by <a href = "http://diccan.com/Dipa.htm#Alary">Olivier Alary</a>, Jacopo
- Baboni Schillingi, Jean-Pierre Balpe, Crystelle Bédard, Grérogy
- Chatonsky and DFominique Sirois. Co-production : Arcadi, on partnership
- with <a href = "http://diccan.com/Dipc.htm#Citu">Citu</a> and <a href = "http://diccan.com/Dipd.htm#Digitalarti">Digitalarti</a>,
- Cap Digital, and a participation of Dicream. <br>
- More in <a href = "Dipc.htm#Capture">French</a>. </p>
</a><a name = "Carassou"></a>
<p><strong>Carassou-Maillan Marion</strong>. Visual conceptor. See <a href = "Eipt.htm#Trajectoires_AV">Trajectoires AV</a>. </p><a name = "Caravella"></a>
- <p><a href = "http://elisabethcaravella.com/"><strong>Caravella Elisabeth</strong></a><br>
- > <em>How To</em> (2014). A mock tutorial about 3D software, a very original
- work of art (perhaps a little too long). <br>
- > <em>Chaise</em> (2009). </p>
- <a name = "Carbone"></a>
- <p><strong>Carbone Mauro </strong><br>
- < <em>Vivre par(mi) les écrans,</em> by Mauro Carbone, Anna Caterina
- Dalmasso and Jacopo Bodini (ed.). Les presses du réel, 2016. </p>
<a name = "Cardini"></a>
<p><strong>Cardini Marco</strong>. Presentation in <a href = "https://education.siggraph.org/resources/history/marco-caldini">ACM Siggraph Educational Committee</a>.<br>
> <em>PAGe MMM </em>(1990c.). "a program which allows the realization of visual/sound digital works of art executed in realtime under the control of the gesture of the performer". (See <a href = "http://www.argenia.org/GA2012/z-marco.pdf">Argenia page</a>). </p>
<a name = "Carelman"></a>
<p><strong>Carelman Jacques.</strong> (+ 2012). A member of <a href = "http://fr.wikipedia.org/wiki/Ouvroir_de_peinture_potentielle">Oupeinpo</a>. <br>
</p>
<a name = "Carion"></a>
<p><strong>Carion Stéphane</strong>. An associate of <a href = "Eipf.htm#Fabric">Fabric|ch</a> group. </p><a name = "Carlotto"></a>
- <p><a href = "http://www.lotzio.com"><strong>Carlotto Andrea</strong></a>.
- Aka Lòtzio "Musician of images, likes playing with sounds and
- images, perception and thoughts. in order.. to a sly smile on human's things".<br>
- > <em>Lux. Alza gli occhi</em> (Raise your eyes). (2013). </p>
- <a name = "Carmignac"></a>
- <p><strong>Carmignac Charles</strong>. Musician. According to <a href = "http://www.artjaws.com/en/portfolio/carmignac-charles/">Artjaws</a>
- Musician in the Franco-American folk group Moriarty since 1995, Charles
- Carmignac develops enigma writing in parallel. After an exploration of invisible
- languages, he initiates a series of neons, “The Infidel Mirrors”,
- which invites to pass on the other side of the word. Born in 1978 –
- Lives and works in Paris. </p>
<a name = "Carney"></a>
<p><a href = "http://www.benfcarney.com/"><strong>Carney Ben F.</strong></a> <br>
- > <em>Racines…</em> (2010). (speaking garden) Collaboration with <a href = "http://www.gwennaellynn.com/">Gwenn-Ael Lynn</a>.<br>
><em> Non manifold</em> mandible (2010 c.). </p><a name = "Carniaux"></a>
<p><a href = "http://www.pierrecarniaux.com/"><strong>Carniaux Pierre</strong></a> . Cinema director. <br>
> <em>Last Room / Dépli </em>(2013). From the
footage he shot in Japan, director Pierre Carniaux teamed
up with artist Thierry Fournier to create together a
diptych, composed of the film Last Room and the interactive
artwork Dépli. This project proposes a new form of
cinematographic writing that engages the viewer’s
gaze, status, and
<p><a name = "Caro"></a><strong>Caro Marc</strong>.
- Somewhere between computer and video.
[<a href = "Eipl.htm#Lioret">Lioret</a>] p. 95. Comments in [<a href = "Eipc.htm#Couchot">Couchot 2003</a>] p.43. <br>
> <em>Maître-cube</em> (1985). </p>
<p><a name = "Caro-Dambreville"></a><strong>Caro-Dambreville Stéphane </strong> <a href = "http://cimeos.u-bourgogne.fr/LIMSIC/index.php?option = com_content&task = view&id = 32&Itemid = 70">His page</a> at University of Burgundy (France).<br>
- His <a href = "http://tel.archives-ouvertes.fr/docs/00/45/29/19/PDF/HDR_Caro_Dambreville.pdf">HDR report</a> , about digital documents writing: towards a cyber-rhetoric. </p>
<a name = "Carpenter_J_C"></a>
<p><strong>Carpenter J.C.</strong> Founder of <a href = "http://luckysoap.com/">Luckysoap</a>. <br>
> <em>Notes on the Voyage of Owl and Girl</em> (2013). Computer generated fiction. Performed during the <a href = "http://chercherletexte.org/ressources/chercherletexte-dossierpresse.pdf">Chercher le texte</a> festival (2013)</p>
<a href = "Carpenter_Loren"></a>
<p><a href = "http://en.wikipedia.org/wiki/Loren_Carpenter"><strong>Carpenter Loren</strong></a>. Mainly a scientist. <br>
- <em>> Star Trek II: Wrath of Khan. </em>(1982) by Loran Carpenter, Bill Reeves, Tom Porter, Rob Cook, Tom Duff and David DiFrancesco , directed by Alvy Ray Smith. The firls all-digital computer-generated image sequence, according to [<a href = "Eipm.htm#Masson">Masson</a>]. <br>
> <em>Vol Libre </em>(1980), a "fractal extravaganza" presented at Siggraph, according to [<a href = "Eipm.htm#Masson">Masson</a>].
<br> > <em>Vol libre</em> . 1980. Computer animated landscape.
- </p>
<p><a name = "Carre_Bastien"></a> </p>
<p><strong>Carré Bastien</strong>. Artist, <a href = "Eicl.htm#Lumigraphy">lumigraphy</a>. </p>
<a name = " Cartoon Movie"></a>
- <p><strong>Cartoon Movie</strong>. Animation film form. Managed by Marc Vandeweyer.
- See <a href = "http://www.creanum.fr/">Créanum</a> (April-May 2011,
- no longer on line).</p>
- <p><a name = "Casanova"></a><strong>Casanova Christina</strong>. <br>
- > <em>Let's tell lies</em> (1999). A recreational CD-Rom. See <a href = "http://contactzones.cit.cornell.edu/artists/casanova.html">Let's
- tell Lies.</a> See [<a href = "Eipm.htm#Murray">Murray 2008 </a>]. Privileges
- burlesque and mime. </p>
- <a name = "Casas"></a>
- <p><strong><a href = "http://niccolocasas.com/">Casas Niccolo</a></strong>.
- Architect<br>
- > <em>Synapse Dress</em> (2014), by <a href = "../Eipw.htm#Wipprecht">Anouk
- Wipprecht</a>, in collaboration with Nicola Casas and Intel. Sensors and
- an EEG set controls lights integrated in the dress. In cas of strong emotion,
- a hidden camera stores an image of the environment. </p>
- <a name = "Cascone"></a>
- <p><strong>Cascone Kim.</strong> Musician. <a href = "http://en.wikipedia.org/wiki/Kim_Cascone" >Wikipedia!:
- " </a>In academic writing, Cascone is known for his paper <a href = "http://subsol.c3.hu/subsol_2/contributors3/casconetext.html">
- The Aesthetics of Failure:'Post-Digital' Tendencies in Contemporary Computer
- Music</a> which outlined the use of digital glitches and systemic failure
- in the creation of post-digital and laptop music". </p>
- <a name = "Caselles-Dupre"></a>
- <p> <strong>Hugo Caselles-Dupré</strong> . A founding member of <a href = "Eipo.htm#Obvious">Obvious</a>.
- </p>
<a name = "Cassagnau"></a>
<p><strong>Cassagnau Pascale</strong>. Manager " fonds audiovisuels et nouveaux médias" at Centre national des arts plastiques. <br>
< <em>Future Amnesia. Enquête sur un troisième cinéma.</em> by Pascale Casagnau. Isthme Editions, 2010 c. An essay. </p>
<p><a name = "Cassen"></a> </p>
- <p><strong>Cassen Jackie</strong><br>
- > <em>Circles</em> (1969). A kinetic composition by Jackie Cassen and
- Rudi Stern at Théâtre de lumière in New York. Three
- pages in [<a href = "Eipy.htm#Youngblood">Youngblood</a>] with photos. </p>
- <p><a name = "Minh_Cuong"></a> </p>
- <p><strong>Minh Cuong Castaing Eric</strong>. See <a href = "Eips.htm#Shonen">Shonen</a>.</p>
- <a name = "Minh_Cuong"></a>
- <p><strong>Castaing Eric Minh Cuong</strong>. See <a href = "Eips.htm#Shonen">Shonen</a>.</p>
<p><a name = "Castanet"></a><strong>Castanet Pierre Albert </strong> Musicologist. <br>
-< <em>Derniers échos de l'Harmonie des mondes</em>, his preface of [<a href = "Eipp.htm#Pottier">Pottier</a>]. With a beautiful collection of quotations about computing and music. </p>
- <p><a name = "Castel"></a><strong>Castel Louis-Bertrand. </strong>.
<a href = "https://en.wikipedia.org/wiki/Louis_Bertrand_Castel">Wikipedia</a>. <br>
- Worked on light. He designed a light organon, but probably did not realized
- Popper 2</a>]. <br>
- > <em>Light organon</em> (1700 c.). </p><img src = "Images/Castellanos.jpg" width = "300"><h6>Maria Castellanos: The Prosthetic Look </h6>
- <a name = "Castellanos"></a>
- <p><a href = "http://mariacastellanos.net/">Castellanos Maria</a> Fashion
- <br>
- > The Prosthetic Look (2016) <br>
- > <em> Symbiotic Interaction</em> (2016, 17), by Maria Castellanos and
- Alberto Valverde. A garment carry tiny plants that monitors the surroundings
- and inform the wearer about "everything around". </p>
<a name = "Castellin"></a>
<p><strong>Castellin Philippe.</strong> Poet and graphic artist. With frequently a very slow temporality in his animations. [<a href = "http://www.olats.org/livresetudes/basiques/litteraturenumerique/13_basiquesLN.php">Bootz</a>].<br>
- > <em>Lectures numériques</em> (2013). Performance with Jean Torregrosa during the <a href = "http://chercherletexte.org/ressources/chercherletexte-dossierpresse.pdf">Chercher le texte</a> festival (2013).<br>
><em> Mains </em>(1995).<strong> </strong>Each verse is drawn slowly. The words are formed as a continuous line, as if the poem was writing itself, in real time. <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 53. </p>
<a name = "Castellucci"></a>
<p><strong>Castellucci Romeo</strong>. Theater/video. <br>
- More in <a href = "Dipc.htm#Castelluci">French</a>. </p>
<a name = "Castera"></a>
<p><strong>Castera Valérie</strong>. Treasurer of <a href = "Eips.htm#Art_sensitif">Art sensitif</a> association. </p><a name = "Castet"></a>
- <p><a href = "http://julien.castet.free.fr/WP/"><strong>Castet Julien</strong></a>.
- Interaction. Président des <a href = "Eipm.htm#Morphogenistes">Morphogénistes</a>.
- <br>
> <em>Incubaction</em> (2005) </p>
<p> </p>
<a name = "Castillo"></a>
<strong>Castillo
Marco</strong> (not on the WEb)<br>
<a name = "Castonguay"></a>><em> Troublelight</em> (2015C<img src = "Blog/2013_Fall/Castonguay.jpg" alt = "castonguay" width = 250>
<h6>Castonguay. LED's on a bicycle's wheel. </h6>
<p><strong>Castonguay Alexandre </strong></p>
<p>- <em>Interactive installation</em>, 2005. Projecting on the valls video of the visitors. <br>
- <em>Agit P.O.V. Libre</em> (2013), (Petit Objet de
Vélo) by Alexandre Castonguay, kine(ic
installation. Using LED and bicycle wheels. Derisive, fun.
(Cheap). This kind of work is commercially available as
"Monkey Lights", from a cooperation between
Monkeylectric and Holland Bikes (Le Mode, 20/12/2013).
- <a href = "http://artengine.ca/acastonguay/">Artengine</a> page. Interaction. <br>
- > <em>Tafel</em> (2009)<br>
- > <em>Dessin par numéros</em> (2007).</p>
- <a name = "Catala"></a>
- <p><strong>Catala Antoine</strong>. Installations. <a href = "http://www.mac-lyon.com/mac/sections/fr/expositions/2015/antoine_catala/">Lyon's biennal</a> page. <br>
- > <em>Il était une fois… </em>(2013). </p>
- <p><a name = "Catmull"></a><strong>Catmull Edwin.</strong> Pixar president <a href = "http://en.wikipedia.org/wiki/Edwin_Catmull">Wikipedia</a>. <br>
- < <em>Creativity, Inc. Overcoing the Unseen Forces that Stand in the Way of True Inspiration.</em> By Ed Catmull, with Amy Wallace. Random House, New York, 2014. His life and works. <br>
- >
- <em> Toy Story</em> among a lot. <br>
- The December 2010 issue of CACM (Communications of
the l'ACM) contains a 7 pages interview. The key assertion
(from a research standpoint) : "<em>We believed that
achieving the appearance of reality was a great technnical
goal - not because we were trying to emulate reality, but
because doing it is so hard it would drive us forward.</em>
That is, in fact, what happened. We finally reached the
point where we can create convincingly realistic images.
Reality was a great goal for a while. Now we have
non-photo-realistic rendering goals and other things like
that that have supplemented.
<br>> <em>Halftone Animation</em> 1972. with Frederick Parke. Images in <a href = "https://www.academia.edu/1143704/History_of_Computer_Art">[Dreher]</a>
- <a name = "Catts"></a></p>
- <p><strong>Catts Oron</strong>. Founder of <a href = "Eipt.htm#Tissue_Culture">The Tissue Culture & Art Project</a> group. See <a href = "Eips.htm#Symbiotica">Symbiotica</a>. </p>
- <p><a name = "Caussé"></a><a href = "http://recherche.ircam.fr/equipes/instruments/causse/wrap.php?file = garde"><strong>Caussé René.</strong></a> Team leader, "Acoustique instrumentale", <a href = "Eipi.htm#Ircam">Ircam</a>. </p>
- <a name = "Cavalheiro"></a>
- <p><strong>Cavalheiro Abilio.</strong><br>
- > <em>Sintext</em> (1992) by Pedro Barbosa and Abílio Cavalheiro . <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 162. </p>
- <a name = "Cavanagh"></a>
- <p><strong>Cavanagh Annie</strong>. With David McCarthy . Enhanced micrographic photography. Since the 1970's. <br>
- > Award at Wellcome images. 2012. </p>
- <p><a name = "Cavazza"></a></p>
- <p><strong>Cavazza Marc</strong>.<br>
- <
- <i>Virtual storytelling</i>. 4<sup>th</sup> ICVS, Saint-Malo. Marc Cavazza and Stéphane Donikian (eds). Springer 2007.</p>
- <a name = "CAVS"></a>
- <p><a href = "http://social.easycounter.com/cavs.mit.edu"><strong>CAVS</strong></a>. Center for advanced visual studies. Created in 1967. See<a href = "Eipm.htm#MIT"> MIT</a>. </p>
- <p><a name = "Cayla"></a><strong>Cayla Emmanuel.</strong> Founder of Cetoine company (ended circa 2015). <br>
- Use of algorithms (mainly fractals), in textile design. <br>
- More in <a href = "Dipc.htm#Cayla">French</a>. </p>
- <a name = "Cayley"></a>
- <p><a href = "http://programmatology.shadoof.net/"><strong>Cayley John.</strong></a>
- Poet. [<a href = "http://www.olats.org/livresetudes/basiques/litteraturenumerique/13_basiquesLN.php">Bootz</a>].<br>
- > <em>Writing to be Found </em>(2013). Perfomance presented during the
- <a href = "http://chercherletexte.org/ressources/chercherletexte-dossierpresse.pdf">Chercher
- le texte</a> festival (2013). <br>
- > <em>Wine Flying</em> (1992) on Macintosh, programmed with Hypercard
- (an Apple software, now discarded). The words appear progressively, that
- giving more expressive strength to the text. <img src = "Images/Cazin_Crises.jpg" alt = "Cazin" width = "400" >
- </p>
- <h6>Marie-Laure Cazin: théâtre et vidéo </h6>
- <a name = "Cazin"></a>
- <p><strong>Cazin Marie-Laure.</strong></a> <br>
- > <em>Le cinéma émotif </em>(2013). See <a href = "Blog/2014_Brain.html">our post</a>. <br>
- > <em>Les crises magnétiques </em>(2011), interactive cine-theater spectacles, with two actors on stage and two screens. By Marie-Laure Cazin, with Caroline Ducey and François Godard </b>(on stage), Sandrine Châtelain, François Godard, Laurent Peti and Bruno Tuchszer (on screen). <br>
- <em>> Tarentelle </em> (2009). Her first living cinema. The sound band of the film is played on stage by the interpreters and interacts real time with the film.<br>
- On line documentation on the
- <a href = "http://lescrisducloitre.org/">Chartreuse CNES</a> blog. <br>
- More in <a href = "Dipc.htm#Cazin">French. </a></p><a name = "CCC"></a>
- <p><a href = "https://www.ccc.de/en/">CCC</a>. Chaos Computer Club<br>
- > <em>Blinkenlights in Chaos</em> (2001) quoted by [<a href = "Eipl.htm#Lieser">Lieser</a>] with pictures<br>
- <p><a name = "CDA"></a><a href = "http://www.cda95.fr/"><strong>CDA</strong></a>. Centre des arts d'Enghien. Very active. Organizes every year the Bains Numériques (Digital Bath). </p>
- <p><a name = "CCMX"></a><a href = "http://www.musiquecontemporaine.fr/record/oai:mediatheque.cite-musique.fr:musique/classique/contemporain/sites/SITES_265.xml"><strong>CCMX.</strong></a> Centre de composition musicale Iannis Xenakis. (Iannis Xenakis center for musical composition). </p>
- <p><a name = "CCRMA"></a><a href = "https://ccrma.stanford.edu/"><strong>CCRMA</strong></a>.
- Center for computer research in music and acoustics. University of Stanford
- (California). </p>
- <a name = "CDC"></a>
- <p><a href = "http://www.leuphana.de/en/zentren/cdc.html"><strong>CDC.</strong></a> Center for Digital Cultures, Leuphana University. </p>
- <a name = "Cellule"></a>
- <p><strong>La Cellule</strong>. Multimedia group. Years 2000'.</p>
</a><a name = "CECN"></a>
- <p><a href = "http://fr.contemporain.wikia.com/wiki/Nouvelles_textualit%C3%A9s_et_nouvelles_technologies"><strong>CECN</strong></a>. Centre des écritures contemporaines et numériques (Center of the digital contemporary writings). <br>
- <a href = "Blog/CECN%5D_Janvier%202012.htm">The program</a> of CECN for the first months of 2012.<br>
- More in <a href = "Dipc.htm#CECN">French</a>. </p>
- <a name = "Cedric"></a>
- <strong>Cedric</strong>. Centre d'études et de recheche en informatique et communications. Within Cnam (Paris). <br>
> <em>Plug</em>. Computer mediation project, aiming to young audiences.
- <p><a name = "Centre"></a> <a name = "Centre_Val-de-Loire"></a></p>
- <P><strong>Centre-Val-de Loire</strong> (a French region). See our <a href = "Geography/Centre_Val-de-Loire.html">"geographical
- guide"</a>.</P>
- <P><a name = "CDA"></a> </P>
- <P><strong>Centre des Arts</strong>. See <a href = "Eipe.htm#Enghien">Enghien-les-Bains</a>.</P>
- <p><a name = "Cetoine"></a><strong>Cetoine</strong> A company founded by Emmmanuel
- <a href = "#Cayla">Cayla</a> and Evelyne Lutton. Closed circa 2012. </p>
- <a name = "Chabaneau"></a>
- <p><strong>Chabaneau Ivan</strong><br>
- > <em>Icare</em> (1997). At CICV. Quoted by <a href = "Asti_2001/ASTIACTES/ACTES07/ACTES07.html#PCC">Codognet</a>. A web version uses VRML. </p>
- <p><a name = "Chabert"></a><br>
<strong>Chabert Jacques-Elie</strong>.<br>
- > <em>Vertiges</em> (1984). Interactive fiction, on screen with multiple choices [<a href = "Eipf.htm#Forest2 ">Forest 2</a>]. </p>
- <p><a name = "Chabot"></a><strong>Chabot Clyde</strong>. Stage designer, founder
- of <a href = "http://www.inavouable.net/">Communauté inavouable </a>. See
- <a href = "Eipi.htm#Inavouable">Inavouable</a>.<br>
- The Communauté inavouable, created in 1992, is an experimental
- theatre company. The performances bring into play the relationships between
- performers, audience, author, technicians and director. They are works seen
- as an ongoing process, pursuing one another from one step to the other,
- from one project to the other. The national and international company’s
- work is multi-disciplinary (theatre, dance, video, music, digital arts).
- It relies on contemporary authors’ texts or on Clyde Chabot’s".
- (from their website).<br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>]
- p. 95. <a name = "Chabrier"></a>
- <p><strong>Chabrier Rodolphe. </strong><br>
- < <em>Cinq amis dans le vent</em>. Communication at
the symposium <em> Le futur a un passé</em> (2011):
"How five students meet on week-ends around the first
French turnkey 3D systems, graciously lent by the
manufacturer. Their encounter with Philippe Starck and
Jean-Baptiste Mondiano, and the foundation of
MacGuff ".
- <a name = "Chacron"></a>
- <p><strong>Chacron J. </strong><br>
- <
<em>Trois méthodes mathématiques en peinture ou en poésie.</em> (Editions scientifiques de l'art, 52 rue Cozette, 80000 Amiens. Circa 2009). <em>Looks a little too simple. </em></p>
- <p><a name = "Chafe"></a><strong>Chafe Chris</strong> (and Greg Niemeyer)
- [<a href = "Eipp.htm#Paul">Paul</a>]. <em><br>
- >
- Ping</em><em> </em> (2001) (virtual reality).</p>
- <a name = "Chalayan"></a>
- <p><strong>Chalayan Hussein</strong>. Fashion designer and stylist. <br>
- [<a href = "Eipq.htm#Quinn">Quinn</a>] writes: Hussein Chalayan was one
- of the first fashion designers to engage with technological systems and
- may of this collections have pioneered garmments taht feature wireless technoo<br>
- Exposition in the Musée des Arts décoratifs, Paris, July-November
- 2011. </p>
<img src = "Images/Chalon.jpg" width = 300><h6>Fabien Chalon piece at Gare du Nord </h6>
- <p><a name = "Chalon"></a><strong><a href = "http://www.fabienchalon.fr/fr/accueil.html">Chalon Fabien</a></strong>. Animated works, combining light, moves, smoke, sound, sometimes video. The works are mechanically complex, and tell repetitively a story. <br>
- > works at Art Elysées 2016, Art Paris 2017 (at Olivier Waltman's). <br>
- > A large work (some 5 meters high) was operating in Gare du Nord (Paris) around 2011, but was stopped afterwards, due to works in the station. <br>
- In 2011, several works at Maison européenne de la photo (Paris). </p>
- <p> </p>
- <p> </p>
- <img src = "Images/Chamagne.jpg" width = 300>
- <h6>Mathieu Chamagne : Apertures</h6>
- <a name = "Chamagne"></a>
- <p><a href = "http://www.mathieuchamagne.com/"><strong>Chamagne Mathieu</strong>
- </a>Interaction<br>
- > <em>Apertures </em>(2015) <br>
- > <em>Franz K</em> (2001) </p>
- <p> </p>
- <p> </p>
- <p> </p>
- <p> </p>
- <img src = "Blog6 /Chambefort.png" width = 300>
<h6>Françoise Chambefort : Lucette, Clichy Train Station. </h6>
- <a name = "Chambefort"></a><br>
- <p><a href = "http://www.francoise-chambefort.com/"><strong>Chambefort Françoise</strong></a>.
- Researcher-Artist. Elliadd, Franche-Comté University. <br>
- Mise en oeuvre d'une démarche de recherche-création dans
- un doctorat en SIC portant sur l'art numérique. (2016). "Our
- research aims to explore the narrative potentialities of generative art
- works based upon data flows". <a href = "https://ajccrem.hypotheses.org/228">Web
- page</a><br>
- ><em> Lucette, Clichy Train Station </em>(2015C). </p>
- <p> </p>
- <a name = "Champagne-Ardenne"></a>
- <P><strong>Champagne-Ardenne</strong>. A former French region, now included
- in . See our <a href = "Geography/Grand-Est.html">Grand Est </a>region.</P>
- <P><a name = "Champion"></a> <br>
- <strong>Champion D</strong><strong>ominique<br>
- </strong>- At Noëlle Aleyne gallery, in November-December 2011. An attempt to go further with Photoshop. The inspiration remains realist, but with efficient results. . </P>
- <p><a name = "Chan"></a><strong>Chan</strong>.
- Artist (graphic art) and teacher at Paris 8 University. </p>
- <a name = "Chan Paul"></a>
<p><strong>Chan Paul</strong>. <br>
- >
- <em>Installation 1st Ligh</em>t (2006) in the Whitney 2006 biennal. [<a href = "Eipm.htm#Murray">Murray</a>] quotes Jonanna Burton "<em>a post-9/11 version of the Rapture... Chan invokes religion as he speculates on the mechanisms of faith and belief</em>".<br>
- ><em> My birds... trash... the future</em> (2004), in the collections of Moma (NY). <br>
</p>
- <p><a name = "Chanal"></a><strong>Chanal Marc</strong>.<br>
- CST, electronic image department. </p><a name = "Chanel"></a>
- <p><strong>Chanel David</strong>. Painter. A member of <a href = "Eipb.htm#BK">BK Digital Art Company</a> <a href = "Eipt.htm#Theoriz">Théoriz</a> group. <br>
- > <em>Hybrid Love</em> (2015) I, II and III. with Pya Myrvold . Dancing robots with fancy dressing. </p>
- <p><a name = "Chang"></a><a href = "http://www.linkedin.com/in/foxfatale"><strong>Chang Isabel</strong>.</a> New media artist. For example: <em><br>
- >
Virtual Makeovers for the Post-Identity Cyborg</em> (1999). </p>
- <p><a name = "Chang_Young_Gyu"></a><br>
- <strong>Chang Young-Gyu</strong>. Music composer. One of his woks accompanies
- <em> Méditation</em> , by Yang Min-Ha.</p>
- <a name = "Chang_Young-Hae"></a>
- <p><a href = "http://www.yhchang.com/SAMSUNG_K_V.html"><strong>Chang Young
- Hae</strong></a> . Web art. <br>
- > His website (presently in Korean). </p>
- <a name = "Chanhthaboutdy"></a>
- <p><a href = "http://artinoy.com/"><strong>Chanhthboutdy Somphout</strong></a>
- (Artinoy) <br>
- ><em> Interactive Vanity 3.5</em> (2015) </p>
- <p><a name = "Chaplin"></a> </p>
<p><strong><a href = "http://www.lechaplin.com">Le Chaplin </a></strong> . Multimedia cultural institution, in Mantes (Le Val fourré, Ile-de-France ). Led by <a href = "Eipk.htm#Kueny">Pierre Kueny</a></p>
- <a name = "Chapon"></a>
- <p><strong>Chapon Léa</strong>. A member of Müesli studio, with Mytil Ducornet. Typography, textures. </p>
- <a name = "Chapoulie"></a>
- <p><a href = "https://fr.wikipedia.org/wiki/Jean-Marc_Chapoulie"><strong>Chapoulie Jean-Marc</strong></a>. Web art <br>
- ><em> Monsieur Google, à qui appartient la réalité</em> (2014) Quoted with a picture by [<a href = "Eipa.htm#artpress">artpress 2015</a>].</p>
- <a name = "Character"></a><strong>Character</strong>. <p></b>Character animation software. See <a href = "http://histoire3d.siggraph.org/index.php?title = Character">Paris ACM Siggraph</a> page. See also <a href = "Eicc.htm#Character">common names</a>. </p>
- <a name = "Charbonnel"></a>
- <p><a href = "http://www.charlotte-charbonnel.com/"><strong>Charbonnel Charlotte</strong></a>. Any medias, and sometimes interaction. Generally not technically sophisticated. <br>
- > <em>Stetospheres </em>(2010). A series of plastic spheres, with micros inside. The public is invited to handle them and listen. </p>
- <a name = "Chardronnet"></a>
- <p><strong>Chardronnet Ewen</strong> <a href = "http://www.ewenchardronnet.com/about.html">Bureau D’études </a> Journalist, research. </p>
- <a name = "Charles"></a> <strong>Charles Bertrand</strong>. A member of <a href = "Eipr.htm#RYBN">RYbN</a>
- group. </p> <img src = "Images/Charlot_Window.jpg"> <a name = "Charlot"></a>
- <p><a href = "http://www.galeriecharlot.com"><strong>Galerie Charlot </strong></a>
- in Paris 3e and Tel-Aviv. Led by Valérie Hasson-Benillonche. "<span class = "marron"><em>A
- digital art work, you live with"</em></span>, says she.<br>
- The gallery was created by Valérie Hasson-Benillouche in 2010 in
- order to promote innovative contemporary art practices. It focuses on the
- relation between art, technology and science in the post-digital world.
- <br>
- The gallery's yearly schedule is punctuated by conferences, round table
- discussions, performances and presentations on contemporary art and technology.<br>
- <a href = "Webe_Charlot.html">Our posts and references</a>. and
- also:<br>
- 2017 <a href = "Blog3 /Mohr_Vernhes.html">Beyond the Lines: Vernhes and
- Mohr</a><br>
- Kac: Inner Telescope </a><br>
- 2016<a href = "Blog2 /Margolis_Charlot.html" > Misha argolis </a><br>
- 2015<a href = "BlogStr_Thery_8714.txt" > Flavien Théry </a>
- <br>
- 2015 <a href = "BlogStr_Galerie_7285.txt" > Valerie Hasson-Benillouche</a><br>
- 2013, Spring. <a href = "Blog/Charlot-Mordoch_2013.html">Zajega</a> (we
- . <br>
- 2012/09. <a href = "Blog/Israel_Generative.html">Will Thomas Israel go
- generative ? </a> <br>
- 2012 <a href = "Autres_auteurs/Zajega.html">Zajéga</a> . Generative art
- in quest of nimbleness. <br>
- 2012<a href = "Perconte.html"> Jacques Perconte</a>. Non-photorealistic
- video. <br>
- 2012 <a href = "Blog/Karlsruhe_2012.html">Art Karlsruhe. </a>French artists
- alone on the digital domain (mainly due to Galerie Charlot) <br>
- 2012 (Spring) <a href = "Autres_Auteurs/Le_Meur.html">Anne-Sarah Le Meur</a>
- A moment of grace. <br>
- 2012 <a href = "Dipv.htm#Verlinde">Hugo Verlinde</a>: Dymanic image mapping
- upon a sculpture.</p>
- <a name = "Charnock"></a>
- <p><strong>Charnock Nigel</strong>. Performance. Critic of the use of technology.<br>
- > <em>Fever</em> (2001). Cited with a picture by [<a href = "Eipr.htm#Reichle">Reichle
- 2009</a>], and by ([<a href = "Eipd.htm#Dixon">Dixon</a> 2007]. <br>
- </p>
- </p>
- <h6> </h6>
<a name = "Charrier"></a><p><strong>Charrier Sophie</strong>. </b>Artist
- et paedagy researcher. <br>
- <a href = "https://sites.google.com/site/sophiecharriertheatre/">New website</a> and projects in 2016 <br>
- Interview <I>AH No</I><A HREF = "Hebdo/h115/h115.htm">115</A>.<br>
- Big bang faërie <I>AH No</I><A HREF = "Hebdo/h66/h66.htm">66</A> (actu).
- <br>
- Website " <a href = "http://bigbangart.free.fr/cyber_theatre.html">L'e-livre
- théâtre animé</a>", light fairy and scriptural fantasmagory, in Big bang art inner mouvement. <br>
- Personal website <a href = "http://sofcharrier.free.fr/">Cybermonde poétique
théâtre</a> , towards a new theater language. </P>
- <a name = "Chartreuse" ></a>
- <P><a href = "http://www.chartreuse.org/"><strong>La Chartreuse</strong></a>. Centre national des écritures du spectacle (National center of spectacle writing) Villeneuve-lès-Avignon, France.</P>
- <img src = "Images/capture-chatonsky-preview.png" width = 400>
- <h6>Gregory Chatonsky: Capture (image from Dititalarti). </h6>
- <p><a name = "Chatonsky"></a><strong><a href = "http://www.chatonsky.net/">Chatonsky
- Gregory</a></strong>. See <a href = "Chatonsky.html"><big>special notice</big>.</a><br>
- <a href = "Webe_POSTS_$Chatonsky.html">Our posts and references</a>. </p>
- <a name = "Chaurand"></a>
- <p><strong>Chaurand Philippe</strong>. Engineer and software developer. See <a href = "Eipi.htm#Iduun">Iduun</a>. </p>
- <P><a name = "Chauvier"></a></P>
<P><strong>Chauvier Eric</strong>. Anthropologist and writer, oriented towards the digital. See <a href = "Dipc.htm#Chauvier">French notice</a>. </a></P><a name = "Chavez"></a>
<P><strong>Chavez Mark</strong>. Assistant Professor, School of Art, Design and Media, Nanyang University. <a href = "http://nanyang.academia.edu/MarkChavez">His web page</a>. </P>
<a name = "Chawla"></a>
<P><strong>Chawla Symrin </strong>. <a href = "http://artsci.ucla.edu/node/1321">UCLA page</a> . Media arts<br>
> <em>Data Burial</em> (2017) by David Ertel and and Symrin Chawla<a name = "ESA_Rocailles"></a></P>
<P><a href = "http://www.chdh.free.fr/spip.php?article3"><strong>chdh</strong></a>. Group founded 2000 by Cyrille Henry and Damien Henry, the latter replaced afterwards by Nicolas Mongermont. Audio-visual performance. <br>
> <em>Vivarium </em>(2008). Quoted by [<a href = "Eimp.htm#Moulon">Moulon</a>] p. 24-25 with a picture of the work.</P>
<a name = "Cheang"></a>
<img src = "Images/UKI.jpg" width = 400><h6> Cheang Shu Lea and others: UKI, a viral game. </h6>
- <P><strong>Cheang Shu Lea</strong>. <a href = "http://en.wikipedia.org/wiki/Shu_Lea_Cheang">Wikipedia</a>.<br>
- "A nomadic artist, presently (Spring 2010) Paris based, Shu Lea Cheang
- works along several facets (art, activism, sex, identity, science-fiction...)
- at the crossroads between disciplines (performance, Internet...) of the
- Cyberpunk porno film". (says Anne Laforet, MCD, July-August 2010, our
- . > <em>UKI</em> (2009), viral game. <a href = "http://wiki.medialab-prado.es/index.php/UKI_%28a_viral_game%29">web
- page</a>. In collaboration with Jara Rocha, Massimo Avvisati, Martin Howse,
- Martin Hug and Maca Moreno. See <a href = "http://www.laboralcentrodearte.org/">Laboral
- Centro de Arte</a> page. <br>
- > <em>Burn</em> (2003), with yippiyearh Design and Roger Sennert. "Une
- interface décorative qui suggère une relation créative
- et impertinente entre le piratage et le mixing", says [<a href = "Eipg.htm#Greene">Greene</a>].</A><br>
- > <em>I.K.U. </em>(2000) A pornographic film: "An attractive machine,
- called Reiko, gathers a maximum of data bout sexual acts. The data are lost,
- due to a virus, and the machine is to be restarted by a retired programmer,
- then rebooted in the cyberspace in order to find the data back. With is
- extended expertise, the mutant machine sends the spectators hearts flying
- in a exhilaratating pornographic digital vertigo". > <em>BRANDON
- </em>(1998). <br>
- > <em>Buy One Get One</em> (1997). [<a href = "Eipg.htm#Greene">Greene</a>]
- p</A>. 107.</P>
- <a name = "Chedburn"></a>
- <P><a href = "http://www.chedburn.net/"><strong>Chedburn James</strong></a>
- Games <br>
- > <em>Torn City</em> (2004)</P>
- <a name = "Chemical_Brothers"></a>
<P><strong>Chemical_Brothers</strong>. "Electronica" music. Description of their work and instruments in [<a href = "Eipm.htm#Moorefield">Moorefield</a>] p. 99-103. </P>
- <a name = "Chen_Chu-Yin"></a>
- <p><a name = "Chen"></a><strong>Chen Chu-Yin</strong>. Artist. Professor at
- Paris 8 University. <br>
- > Digital art posterity, building a data model for digital art corpora.
- See <a href = "../Blog4 /2017_Azio.html">2017 symposium</a>.<br>
- > <em>Ephémère </em>(1997). "Artificial creatures,
- half-flower, half-animalcules, in an aquatic environment". [<a href = "Dipc.htm#Couchot2 ">Couchot
- 2</a>] (our translation). <br>
- < <em>Systèmes autonomes en création artistique numérique:
- la vie artificielle: développement génétique et comportement
- de créatures virtuelles en environnement évolutif</em>. PhD
- thesis directed by Michel Bret. 2003. </P>
- <a name = "Cheng"></a>
<p><a href = "http://hk.k11.com/en/About-K11/About.aspx"><strong>Cheng
Adrian</strong></a>. He "founded the brand K11 in 2008
with a focus on three core values, Art, People and
Nature. He then founded the K11 Art Foundation in 2010
and built two art villages in Wuhan that serve as an
incubating springboard to groom young emerging
contemporary Chinese artist and educate the mass about
art.
<p><a name = "Chenin"></a> </P>
<p><strong>Chenin Mathilde</strong>. <br>
- > <em> Groupe de recherche en homéopathie binaurale</em> (2013-2014), with Thomas Bethmont. Experimental music. </p>
<a name = "Chercher_le_texte"></a><br>
<p><strong>Chercher le texte</strong>. Festival in Paris, 2013, organized by Philippe Bootz and the ELO. The <a href = "http://chercherletexte.org/ressources/chercherletexte-dossierpresse.pdf">press kit</a>.</p>
<a name = "Chercheurs_de_sons"></a>
<P><a href = "http://chercheursdesons.hautetfort.com/"><strong>Chercheurs de sons</strong></a>. Experimental instrument making. </P>
<img src = "Images/Chevalier_Seconde_Nature.jpg" width = 300>
<h6>Miguel Chevalier. Second Nature (2010), from <a href = "http://www.galeriekeza.com/projets-speciaux/miguel-chevalier-mus%C3%A9e-dherzliya">Keza Gallery</a>., </h6>
<P><a name = "Chesnais"></a><strong>Chesnais Alain</strong>. <a href = "http://www.alainchesnais.com/">Personal homepage</a>. <br>
- Former ACM President.(2011-2012)<br>
- Was a long time leader of ACM Siggraph Paris chapter. <br>
< <em>Le rendu à la française.</em> Intervention at the <em>Le futur a un passé symposium</em> (2011). <br>
- In the Communications of the ACM, Oct. 2010, he signs an editorial, entitled "ACM is built on volunteer's shoulders". </P><br>
- <a name = "Chevalier"></a><p><strong>Chevalier Miguel </strong>Elegant works,
- in 2D. Chevalier specific strength is his capacity of truly adding artistic
- dimension to the technical skills of other individual or team programmers.
- <br>
- <a href = "Webe_Chevalier.html">Our posts and references</a>. <br>
- Among the cooperation he could so develop: <a href = "#Cirad">Cirad</a>
- (for plan development), Music2Eye , Cyrille Henry, Eric Wenger. <br>
- <em>> Extra-Natural</em> (2018). <br>
- > Generative Gardens (2017) See <a href = "Blog3 /Chevalier_2017_1.html">the
- post</a>. <br>
- > <em>Pixels wave</em> (2017). See <a href = "Blog3 /Chevalier_2017_2.html">the
- post</a>. </p>
- <img src = "Blog/2016_Fall/Chevalier_Eustache.jpg" width = 200>
<h6>Miguel Chevalier in Saint-Eustache </h6>
<p>> <a href = "http://www.miguel-chevalier.com/fr/voutes-celestes?position = 0&list = gQXN2HOzxRoBLbH_qYyvxoUPsB2XsYVmQVq0ebIwKHY">
- Voûtes Célestes</a> (2016) at Saint-Eustache church<br>
- <em>> The Origin of the World </em>(2013c.). Music by <a href = "Eipb.htm#Baboni">Jacopo Baboni-Schillingi</a>.<br>
- > <em>Body Voxels</em> and <em>The Thinker</em> (2013c.) shown at Show Off 2013. <br>
- Taking part in <a href = "Blog/Slick_2013.html">Turbulences II</a>, 2013 à Villa Empain Bruxelles). <br>
- <a href = "Elog/Art_Absolument.html">At last an art?</a> <br>
- <a href = "Autres_auteurs/Miguel_Chevalier_Voeux_2012.htm">Beautiful pictures</a> of his <em> Digital Arabesques</em> exposition in Abu-Dhabi (end of 2011). <br>
- > Mighel Chevalier, a book, Monografik Editions.
- <h6>Chevalier: - <em>Body Voxels</em> and <em>The Thinker</em> at Show Off 2013. </h6>
- <p> < <em>Power Pixels</em>, Aeroplano Editora 2011. <br>
- < <em>Segunda Naturaleza</em> 2009. Catalog of an exposition in Brasilia.
- <br>
- < <em>Fractal Flowers</em>. Catalog of an exposition at Imal (2009) <br>
- Quoted by [<a href = "Eipp.htm.Popper1 ">Popper1 </a>] pp. 53 56 69 217, [<a href = "Eipp.htm#Popper2 ">Popper
- 2</a>] 304-30, [<a href = "Eipc.htm#Chirollet">Chirollet</a>]. <br>
- > <em>Fractal Flowers </em>(2008) [<a href = "Eipm.htm#Moulon">Moulon</a>]
- p. 108-109 with photo. Projection on Enghien-les-Bains church, 2008. Cited
- with picture in Artpress2 <em>Art in the digital age</em>, May-June-July
- 2013<br>
- < <em>Miguel Chevalier</em>, by Miguel Chevalier and Others. Regis Glaas
- and Monographic Editions 2008. <br>
- > Sur-Natures, commented in [<a href = "Eipl.htm#Lieser">Lieser</a>]
- with a picture <br>
- > <em>RGB Land </em>(2006) [<a href = "Eipm.htm#Moulon">Moulon</a>] pp.
- 51-52 with photo. <br>
- > <em>Surnature</em> (2005). First presentation, Nuits blanches of Paris
- Sensor: an infrared camera. <br>
- < <em>L'algorithme pixelisé.</em> Janninck 2003. <br>
- <em>> Metapolis</em> (2001) et 2002 [<a href = "Eipp.htm#Popper2 ">Popper
- 2</a>]. <br>
- > <em>Fractal Cloud</em> (2000). [<a href = "Eipp.htm#Popper2 ">Popper 2</a>],
- [<a href = "Eipc.htm#Couchot">Couchot 2003</a>]. <br>
- < <em>Paysages artificiels</em>. An artist book. Project Didier Mathier.
- Six Edition TUS. 50 copies. </p>
<a name = "Cheveu"></a>
<p><strong>Cheveu.</strong> Musician. <br>
- > <em>Where do you come from</em> (2012). Music (by Cheveu) , video, light, interaction (by YroYto ). Article in <a href = "http://www.digitalmcd.com/2011/05/04/yroyto/">Digital MCD.</a><br>
</p>
- <p><a name = "Chevreul"></a><strong>Chevreul Eugène <br>
- </strong>< <em>Traité du contraste simultané des couleurs</em>,
- 1839. His theories about retina chemistry have influenced the pre-impressionists,
- impressionist and post-impressionists (pointillists). It seems that these
- results were for him rather deceptive. A beautiful <a href = "http://www.peintre-analyse.com/chevreul.htm">animated
- web page</a>.<br>
- [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 26. </p>
- <a name = "Chiang"></a>
- <p><strong>Chiang Chia-Chi.</strong><br>
- < <em>Shortened Bod</em>y (2018C) , by <a href = "../Eipc.htm#Chiang">Chia-Chi
- Chiang</a> and <a href = "../Eipi.htm#Isdant">Raphaël Isdant</a> <br>
- <strong> </strong>- Takes part in an event in <a href = "http://artistsofutah.org/15Bytes/index.php/tag/chia-chi-chiang/">
- Utah</a> (2015)<br>
- <a href = "https://inrev.univ-paris8.fr/spip.php?article1417">Phd Thesis</a>
- (2012) at Paris 8 University: Technologicial interfacec bodies: perfomance
- as body expeeriments lab. </p>
- <p><a name = "Chiche"></a> </p>
- <p><strong>Chiche Madeleine</strong><br>
- >
- Retrouvez le groupedunes aux nuits électroniques
de L'Ososphère - Strasbourg, ce vendredi 27 et
samedi 28 septembre. Madeleine Chiche et Bernard Misrachi
co-signent avec Thierry Danet, directeur du Festival
L'Ososphère, la scénographie
multimédia et lumière de La COOP au port du
Rhin. Bouger les lignes de cette ancienne
coopérative pour en révéler la masse
et s'orienter dans les dédales musicaux et
architecturaux… conception madeleine chiche bernard
misrachi avec la participation de Nicolas Dantan et Lagoona
et Jérémie, Sébastien et Josselin de
AV Exciters data ingénieur sylvain delbart une
production du groupedunes avec Quatre 4.0
<a name = "Chiffot"></a>
<p><strong>Chiffot Jacky</strong><br>
<em>> Sale Temps </em> (1997) by Frank Dufour, Gilles Armanetti and Jacky Chiffot. A kind of photographic compositing like Chris Marker's film <em>La Jetée</em>. See <a href = "http://www.olats.org/livresetudes/basiques/litteraturenumerique/9_basiquesLN.php">Bootz</a>.</p>
<p><a name = "Chiggio"></a> </p>
<p><strong>Chiggio Ennio</strong> <a href = "http://www.larousse.fr/encyclopedie/peinture/Chiggio/151574">Encyclopédie Larousse</a>. Kinetic art, member of Gruppo N. </p>
<a name = "Children_of_the_Light"></a>
<p><a href = "http://www.children-of-the-light.com/"><strong>Children of the Light</strong></a><br>
- > <em><a href = "https://vimeo.com/151759417">Diapositive</a> (2014C) </em>Light play with lenses. Not very digital. See <em><a href = "https://vimeo.com/childrenofthelight">Vimeo</a>, </em></p>
<a name = "Chin"></a>
<p><strong>Chin Adam</strong><br>
> <em>Opera industriel </em>(1986). by Adam Chin and Richard Cohen. One copy in Ina funds. </p>
<p><a name = "Chine"></a></p>
<p><strong>China</strong>. See our <a href = "Geography/China.html">"geographical guide"</a>.</p>
<p><a name = "Chirollet"></a> </p>
- <p><strong>Chirollet Jean-Claude</strong><br>
- < <em>L'oeil digital de l'art. Les anachronismes numériques.</em>
- Connaissances et savoirs, 2014. <br>
- <<em> L'interprétation photograhique des arts. Histoire, technologie,
- esthétique. </em>L'Harmattan 2013.<br>
- < <em>L'art dématérialisé: reproduction numérique
- et argentique.</em> Mardaga 2008. <br>
- < <em>Art fractaliste. La complexité du regard.</em> by Jean-Claude
- Chirollet. L'Harmattan 2005.<br>
- < <em>Esthétique et technoscience</em>: pour la culture techno-esthétique.
- Malaga 1994</p>
- <a name = "Chloe"></a>
- <p><strong>Chloe U-Ram</strong>. Kinetic art. Represented by Bitforms gallery, New York. </p>
<a name = "Cho_Hyun-Hwa"></a>
<p><a href = "http://brahms.ircam.fr/hyun-hwa-cho"><strong>Cho Hyun-Hwa</strong></a><strong>.</strong> Music Composer. <br>
> <em>Eden Garden</em> (2017), Immersive insallation, by Raphaël Thibault and Hyun-Hwa Cho. </p>
<a name = "Cho"></a><a name = "Cho_Peter"></a>
<p><a href = "http://www.pcho.net/"><strong>Cho Peter</strong></a>. Artist and designer. San Francisco. <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 78. </p>
<a name = "Chodzko"></a>
<p><strong>Chodzko Adam. </strong><br>
><em> Product Recall</em> (1994). [<a href = "Eipg.htm#Greene">Greene</a>]. A wort about networks. </p>
<p><a name = "Cholain"></a><strong>Cholain Camille.</strong> A poet on the web. Perhaps an anti-poet? His page in <a href = "http://www.transfert.net/Camille-Cholain-artiste-total-et">transfert</a>. </p><a name = "Chomienne"></a>
<p><strong>Chomienne Estelle </strong>(aka Stellart). <a href = "http://stellartcorsica.deviantart.com/">Deviant art page</a>. <br>
> <em>Garden of Eden</em> (2015C) Photoshop and tablet.</p>
<p><a name = "Chouvel"></a><strong>Chouvel Jean-Marc</strong> <br>
< <em> Analyse musicale. Sémiologie et cognition des formes temporelles</em>. L'Harmattan 2006. The method and its application to a lot of scores, from Bach to Lévêque. </p><a name = "Chow"></a>
<p><a href = "http://www.trinachow.com/index.html"><strong>Chow Trina</strong></a>. Dance tools. <br>
><em> <strong>Creating Dance with Life Forms</strong></em> (1994-1996) </p>
<p><a name = "Chowning"></a><strong>Chowning John</strong>. Music composer and scientist. His page in the <a href = "http://brahms.ircam.fr/composers/composer/863/">Brahms
- </a> data base. <br>
- He founded and was first manager of the Center for Computer Research in Music and Acoustics, at Stanford University.
- Presented at length in [<a href = "Eipb.htm#Baudouin">Baudouin</a>], notably pp. 46-49 and 195-220. </p>
<a name = "Chrisianity"></a>
<p><strong>Christianity</strong>. See <a href = "Berger/Transmedia.html#Christianity">transmedia</a>. </p>
<img src = "Images/cinaxe.jpg" width = 300> <h6>The Cinaxe, in Paris La Villette.</h6>
<a name = "Christie"></a>
<p><strong>Christie</strong>. A manufacturer of projectors, mainly high performance models ( for example D4D35, resolution 4096x2160, 35 000 lumens). </p>
<a name = "Christofol"></a>
<p><strong>Christofol Jean</strong>. Wrong spelling, see <a href "http://diccan.com#Cristofol">Cristofol</a>. </p><a name = "Chuchu"></a>
<p><a href = "http://www.jimchuchu.com"><strong>Chuchu Jim</strong></a><strong>. </strong>Multimedia. Painting. <br>
- > <em>The Visitors</em> (2013). Inkjet printing. <br>
- > <em>All Oppression is connected</em> (2013). . Mural poster.</p>
<a name = "Chu_Kai"></a>
<p><strong>Chu Kai.</strong> Painting <br>
> <em>Fabric Design System </em>(before 1976). See an image of this and other work in the <a href = "http://recodeproject.com/" >Recode project</a>. </p>
<a name = "Chuck"></a>
<p><a href = "http://chuck.cs.princeton.edu/"><strong>Chuck</strong></a>. Strongly-timed, Concurrent, and On-the-fly
Audio Programming Language<br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 185. </p>
<p><a name = "Chun"></a> </p>
<p><strong>Chun Wendy Hui Kyong</strong><br>
- < <em>Programmed visions. Software and memory.</em> by Wendy Hui Kyong Chun. MIT Press 2011. </p>
<p><a name = "CIAM"></a></p>
<p><strong>CIAM.</strong> Centre interuniversitaire des arts médiatiques.
- <a href = "http://www.ciam-arts.org/">Web page.</a> </p><a name = "CIANT"></a>
<p>CIANT </p>
<p><a name = "CICV"></a> </p>
<p><strong>CICV.</strong> A center for creation, in Montbéliard (East of France). <br>
- . Judicial termination in 2004.</p>
- <a name = "Cillari"></a>
<p><a href = "http://www.soniacillari.net/"><strong>Cillari Sonia</strong></a>. D <br>
> <em>Se Mi Sei Vicino</em> (2006-2007). Analyzed by [<a href = "Eipk.htm#Kwastek">Kwastek</a>] pp. 241-248, wih pictures. </p>
- <p><a name = "Cinaxe"></a><strong>Cinaxe. </strong><a href = "http://diccan.com/Hypermonde/Chroniq/hmchr003.htm#bergerl">
- A visit</a> in 1991 (in Club de l'Hypermonde). </p>
<p><a name = "Cinder"></a> </p>
<p><strong>Cinder</strong>. A C++ libraty for creative code. Created by <a href = "https://en.wikipedia.org/wiki/The_Barbarian_Group">Barbarian Group</a>. <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 168. </p>
<a name = "Cinderella"></a>
<p><strong>Cinderella</strong>. An animation film by <a href = "Eipd.htm#Disney">Walt Disney</a> (1950) and <a href = "Eiph.htm#Herold">Pascal Herold</a> (2012). </p>
<a name = "Cinema_4D"></a> <p></a><strong>Cinema 4D. </strong>See <a href = "Eipm.htm#Maxon">Maxon</a>. <br>
- XForm is a plugin, to generate forms and objects. <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 171. </p>
<a name = "Cinematheque"></a>
<p><a href = "http://www.cinematheque.fr/"><strong>Cinémathèque française</strong></a>. Directeur Serge Toubiana. </p><a name = "Cinti"></a>
<p><a href = "http://c-lab.co.uk/default.aspx?id = 15&authorid = 1"><strong>Cinti Laura</strong></a>. Bio art. <span id = "ctl16_authorList_ctl00_body">She is co-founder and co-director of C-LAB,</span><br>
- > <em>Nanomagnetic Plants </em>(2012).<br>
- > <em>Katered</em> (2012). <br>
</p>
<p> <a name = "Cirad"></a><strong>Cirad</strong>. Research laboratory in Montpellier, France. Specialty: plant and plant growth modeling. Inspired <a href = "#Chevalier">Miguel Chevalier</a> generative art. </p>
<a name = "Cirio"></a>
<p><strong><a href = "http://www.paolocirio.net/">Cirio
Paolo</a></strong>. A member of <a
href = "Eipu.htm#Ubermorgen">Ubermorgen</a> group. He
"has worked in various fields: net-art, street-art,
video-art, software-art and experimental fiction. He
investigates perception and the creation of cultural,
political and economic realities manipulated by modes of
control over information's
- <em>> Face to Facebook </em>(2011) by Alessandro Ludovico and Paolo Cirio, the third work in a series that began with <em>Google Will Eat Itself</em> and <em>Amazon Noir</em>. <a href = "http://www.random-magazine.net/2011/02/face-to-facebook/">A note</a> in Random Magazine. <br>
- > <em>Drowning NYC</em> (2010). <a href = "http://www.drowning-nyc.net/">Webpage</a>. <br>
- > <em>Google Will Eat Itself (GWEI) </em> (2005) Hacking Monopolism Trilogy Mixed media.</p>
<a name = "Cirque_Electrique"></a>
<p><a href = "http://www.cirque-electrique.com/"><strong>Cirque Electrique</strong></a>. Use video and electronics. <br>
- > Augmented Magic (2014). <br>
> <em>Steam </em>(2012). </p>
<a name = "Cirque_du_Soleil"></a>
<p><a href = "http://www.cirquedusoleil.com/en/welcome.aspx"><strong>Cirque du soleil</strong></a>.<br>
> <em>Troika Ranch 16-[R]evolutions</em> (1996). [<a href = "Eipc.htm#Couchot">Couchot 2003</a>] p. 245. A multimedia fresco of human evolution. </p><a name = "Ciss"></a>
<p><br>
- <a href = "http://www.mansourciss.de"><strong>Ciss Mansour</strong></a>. Aka Kanakassy. Multimedia, political. One page in [<a href = "Eipd.htm#Dermineur">Dermineur</a>].<br>
> <em>AFRO Change</em> (2009) by Mansour Ciss and Baruch Gottlieb. </p>
<p><a name = "Citron"></a> </p>
<p><strong>Citron Jack</strong>. Engineer and scientist by IBM. He worked with <a href = "Eipw.htm#Whitney_Sr">John Whitney</a> and wrote the GRAF program for the graphic workstation IBM 2250. </p>
<p> </p>
- <p><a name = "Citu"></a><strong><a href = "http://citu-paragraphe.fr/">Citu</a></strong>
- (not the original site) Laboratory (Création Interactive Transdisciplinaire
- . Former artistic leader <a href = "Eipb.htm#Benayoun">Maurice
- Benayoun</a>. <br>
- In 2011, takes part in the financing of the robotic rock group <a href = "Eipc.htm#Capture">Capture</a>. </p><img src = "Images/clair_obscur.jpg" width = 300>
<h6>Clair Obscur: <em>Hermself.</em></h6>
<a name = "Clair-obscur"></a>
<p><a href = "http://www.leclairobscur.net/"><strong>Le clair obscur</strong></a>. Dance company. <br>
- > <em>Soft Love </em>(2017). See a long interview of the author, Frédéric Deslis <a href = "http://media.digitalarti.com/fr/blog/digitalarti_mag/soft_love_le_desir_a_l_epreuve_du_futur"> in Digitalarti</a> <br>
- > <em>G0L4M </em>(2014) Performance and video. Director Frédéric Deslias. <a href = "http://lesindependances.com/fr/projects/4golem?utm_medium = email&utm_campaign = Newsletter+Golem&utm_source = YMLP&utm_term = z1uj_Newsletter1604GOLEMInters...">See page</a>. <br>
- > <em>Sleeping Beauty</em> (2013). A complex show and presentation. See the <a href = "Autres_auteurs/Clair_Obscur_SLEEPING-BEAUTY.pdf">PDF</a><br>
> <em>Hermself </em>(2010). <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 95. </p><a name = "C-Lab"></a>
- <p><a href =
"http://c-lab.co.uk/about.html"><strong>C-Lab</strong></a>. "An art collective
- and organization that engages with critical and contemporary amalgamations
- of art, science and technology. Headed up by London-based artists, Howard
- Boland and Laura Cinti, it focuses on artistic explorations of meaning and
- idiosyncrasies involving life both organic and... </p>
- <a name = "Clarke"></a>
- <p><strong>Clarke Andy</strong><br>
- < <em>Videogames and Art</em>. Edited by Candy Clarke and Grethe Mitchell.
- Intellect, Bristol, 2007. </p>
- <a name = "Clarke_Kevin"></a>
- <p><strong>Clarke Kevin</strong>. Bio-art. According to [<a href = "Eipr.htm#Reichle">Reichle
- 2009</a>] he produces "conceptual genetic portraits" by combining
- a linear arrangement of genetic sequances in code (ACGT, Adenine, cytosine,
- guanine and thymine, the four nitrogenous DNA bases) with objects that the
- artist assigns to the persons portrayed. <br>
- > <em>Self-Portrait in Ixuatio</em> (1988). </p>
- <p><a name = "Clarté"></a> </p>
- <p><a href = "http://www.clarte.asso.fr/"><strong>Clarté</strong></a> Centre lavalloisien de ressources technologiques (Levallois center of technological resources). </p>
<a name = "Claus"></a>
<p><strong>Claus Jurgen</strong> Artist, professor, writer, manager. Multimedia works about ecology. <a href = "http://de.wikipedia.org/wiki/J%C3%BCrgen_Claus">Wikipedia</a> (in German). <br>
- [<a href = "Eipp.htm#Popper1 ">Popper1 </a>] pp. 47 65 141,142 [<a href = "Eipp.htm#Popper2 ">Popper2 ]</a> pp. 29 , 59-62.<br>
> <em>Solar Energy Sculpture</em> (1987) [<a href = "Eipp.htm#Popper2 ">Popper2 </a>].<br>
> <em>Solar expert system </em> (1987) [<a href = "Eipp.htm#Popper2 ">Popper2 </a>].</p>
<a name = "Clauss_Julien"></a>
<p><strong>Clauss Julien</strong> <br>
- > <em>Stimuline</em> (2008). Presentation of <a href = "http://www.imal.org/en/activity/stimuline">the
- work</a> on Imal wegsite(collaboration with Lynn Pook). </p>
<img src = "Images/Clauss_Vinci.jpg" width = 400><h6>Nicolas Clauss and Jean-Jacques Birgé : La machine à rêves de Léonard de Vinci. </h6>
- <a name = "Clauss_Nicolas"></a>
- <p><strong>Clauss Nicolas</strong>. Multimedia artist <br />
- > <em>Agora </em>(2015). Interactive installation, video and music. <br>
- > <em>Vidéographies </em>(2013). See Clauss's <a href = "Blog/Clauss_2014_01.html">notice</a>.
- <br>
- > <em>La machine à rêves de Leonardo da Vinci</em> (2012).
- A application on iPad, produced and published by Universcience, by Nicolas
- Clauss (images) and Jean-Jacques Birgé (sound). "A box of secrets,
- controlled by the user, lets out fragments of dreams that an oniric software
- transforms into a graphical and musical work. Free on the AppStore in November
- 2012. Has been downloaded some 15000 time<br>
- > <em>Terres arbitraires </em>(2011), the second part. <a href = "Autres_auteurs/Clauss_Terres_arbitraires.htm">Presentation
- of the work.</a> <br>
- > <em>Terres arbitraires </em>(2010). Installation at Agora (Evry, Ile-de-France".
- <br>
- > <em>Les mouches</em> (2010). <br>
- > <em>De l'art si je veux </em>(2005). Recreational images with children,
- inspired by Bacon. <br>
- > <em>Somnanbules</em> (2003). Collaboration with Jean-Jacques Birgé
- ad Nicolas Silhol. See <a href = "Eipb.htm#Birge">Birgé</a>.<br>
- </p>
<p><a name = "Clay"></a><strong>Clay Arthur ("Art") </strong> . ETH Zurich. <br>
- Curates the <a href = "Blog/Siggraph_Asia_2013.html">Virtuale Exhibition</a> (augmented reality) in Siggraph Asia 2013. <br>
- <
<em>Inventing malleable scores: from paper to screen based scores</em>. 15 pages in [<a href = "Eipa.htm#Adams">Adams</a>]. </p>
<p><a name = "Clayssen"></a><strong>Clayssen D</strong>avec Lobstein D. Zeitoun J.<br>
- < <i>Les nouvelles images. Introduction à l'image électronique</i>.
- Dunod 1987. <span></p>
<a name = "Cleempoel"></a>
- <p><strong>Cleempoel Michel</strong>. Diverse medias. <a href = "http://www.michelcleempoel.be/">
- Facebook page</a>. <br>
<em>- For example, </em>
a story, lines with pearls, mathematical laws guessed on
- length, positions, more or less light on the pearls... </p><a name = "Clergeaud"></a>
<p><strong>Clergeaud Damien.</strong> Juggling. <br>
< <em>Objets physiques interactifs pour de la performance artistique immersive, by </em> Damien Clergeaud, Myriam Desainte-Catherine and Martin Hachet</p>
<a name = "Clic"></a>
<p><a href = "http://www.club-innovation-culture.fr/about/"><strong>Clic</strong></a>.Club innovation et culture. <br>
- Federative network of innovative museums. Interview of its founder Pierre-Yves Lochon in Sonovision 5/2011. </p>
- <a name = "Clifford"></a>
- <img src = "Images/Clifford_.jpg" alt = "oo" width = 300>
<h6>Writing machines : <em>The Sweet Old Etcetera,</em> by Alison Clifford & Graeme Truslove.</h6>
- <p><a href = "https://alisonclifford.wordpress.com/"><strong>Clifford Allison</strong></a>.
- Animation cinema. <br>
- < <em>Citizen</em> (2001). An artist's CD-Rom.</p>
<p><a name = "Clinton"></a></p>
<p><strong>Clinton J. </strong><br>
- ><em> Quadrille melodist </em>(1865). Game of cards to compose quadrilles.</p>
<a name = "Cliquet_Etienne"></a>
<p><strong>Cliquet Etienne</strong><br>
><em>Timer 555</em> (2006). Origami [<a href = "Eipm.htm#Moulon">Moulon</a>] p. 104-105. </p>
<p><a name = "Cliquet_Gregoire"></a>
<p><strong>Cliquet Grégoire</strong><br>
- Hypermedia teaching leader, Ecole de design Nantes Atlantique.</p>
<p><a name = "Closky"></a><a
href = "http://www.sittes.net/"><strong>Closky
Claude</strong></a> "The websites accessible from <a
href = "www.sites.net/menu">www.sites.net/menu</a> are part
of my work as fully as my more traditional woks. Working on
Internet is something parent to drawing; it lets the artist
go from living forms to ideas, on a simple and limited
way". (Judicaël Lavrador, Beaux Arts Magazine
2/2011. Our translation).
> <em>Ground drawing 7</em> (2012). Quoted with illustration in ArtPress2 , May-July 2013. </p>
<a name = "CNC"></a><p><strong><a href = "http://www.cnc.fr/Site/Template/Accueil.aspx?SELECTID = 614&id = 1&t = 1">CNC </a></strong> Centre national du cinéma et de l'image animée. <br>
- A prospective study about employment in this sector. <a href = "Etude prospective sur la formation et l’emploi dans le secteur du film d’animation">The
- study </a>(no longer on line by June 2017) by René Broca.</p>
<a name = "Cnes"></a>
<p><strong>Cnes</strong>. Centre national des écritures du spectacle, at <a href = "Eipc.htm#Chartreuse">La Chartreuse</a>. </p><a name = "CNSA"></a>
<p><strong>CNSA Critical Network Streaming Action </strong><br>
- Their presentation in Bergen <a href = "http://apo33.org/index.php/fr/tag/critical-network-streaming-action/">A report by Apo 33</a></p>
<a name = "Cnum"></a><strong>Cnum</strong>. Conservatoire
- numérique des Arts et Métiers. Interview of Pierre Cubaud <I>AH
- No</I> <A HREF = "Hebdo/h68/h68.htm">68.</A> </p>
<p><a name = "Co_Elise"></a> </p>
<p><strong>Co Elise</strong>. Her <a href = "http://acg.media.mit.edu/people/elise/">page</a> at MIT. "Creative design in software, hardware and physical form".<br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 78. </p>
<p><a name = "Co"></a><strong>Co Phil</strong> <br>
- < <em>Level design for games. Creating compelling game experiences.</em> New Riders, Berkeley 2006. </p>
<a name = "Coca-Cola"></a>
<p><strong>Coca-Cola.</strong> An important support of media. See [<a href = "Eipm.htm#Martel">Martel</a>], [<a href = "Eipr.htm#Rose">Rose</a>], [<a href = "Eipj.htm#Jenkins">Jenkins</a>]. </p>
<p><a name = "Cochard"></a><strong>Cochard Catherine. </strong> Software. <br>
- She took part in the Jouable show, 2004, with the work <em> Family Pack</em>.
- See <a href = "http://www.familypack.tk/" target = "_blank">http://www.familypack.tk</a>.
- (in 2013 and 2017, sees no longer online). <br>
<a name = "Cochet"></a></p>
<p><strong>Cochet Zita</strong>. Video. <br>
> <em>Frontières</em> (2012). Concert, music and visual effects, by Arnaud Rebotini, Zita Cochet and Christian Zanesi. See comments in <a href = "http://www.etherreal.com/spip.php?article4468">Etherreal</a>. <br>
> Saycet teaser. <a href = "http://vimeo.com/2509406">Video</a> on Vimeo. Cited with picture in Artpress2 <em>Art in the digital age</em>, May-June-July 2013</p>
<img src = "Images/cocquerez.jpg" alt = "Cocquerez" width = "487" >
<h6>An illustration of the Cocquerez book, showing that vision may be described by complex and even cooperative models. </h6>
<p><a name = "Cocquerez"></a><strong>Cocquerez Jean-Pierre.</strong> <br>
- Leader of the CNRS network (<i>AH No</i> <a href = "Hebdo/h69/h69.htm">69</a>)
- : Images, vision and scene analysis. <br>
- <i>< Analyse d'images: filtrage et segmentation</i> by Jean-Pierre Cocquerez,
Sylvie Philipp and al. Masson 1995.</p><a name = "Cod_Act"></a>
<p><a href = "http://www.codact.ch/gb/home.html"><strong>Cod Act</strong></a> . Group formed by André and Michel Décosterd. <br>
>
- <em>Pendulum Choir </em>(2011) </p>
<p><a name = "Code_2_0"></a> </p>
<p><a href = "http://www.scopalto.com/magazine/code-2-0"><strong>Code 2.0</strong></a>. A magazine about arts. Sometimes digital. <br>
- < <em>L'oeuvre d'art à l'ère de sa reproduction digitale. Artie Vierkant.com.</em> by Corentin Hamel. (Fall 2012 issue). </p>
<p><a name = "Codesign"></a></p>
<p><a href = "http://www.codesign.in/"><strong>Codesign</strong></a>. Studio in New Delhi. Founded by Rajesh Dahiya. </p>
<p><a name = "Codognet"></a><strong>Codognet Philippe</strong>
- Professeur, Lip 6. Interview <I>AH No</I> <A HREF = "Hebdo/zh17/h17.htm">17</A>
Inria. <br>
-
Behavior description language. <a href = "Eipl.htm#Lioret">[Lioret</a>] p. 11.<br>
> <a href = "Asti_2001/ASTIACTES/ACTES07/ACTES07.html#PCC"><em>Sciences de l'information et création artistique
Nature artificielle et artifice naturel </em></a>. Communication (in French), Asti 2001 Conference</p>
<p><a name = "Coeuroy"></a><strong>Coeuroy André<br>
- <
</strong><em>Wagner et l'esprit romantique.</em> Gallimard 1965. About the Wagnerian systematics. </p>
<p><a name = "Cohen_Charles"></a><strong>Cohen Charles</strong> <br>
> <em>126 and Andie</em><em> 04</em>. photo and processing (erotic stylized)
[<a href = "Eipp.htm#Paul">Paul</a>]. </p>
<img src = "Images/Cohen_Clarissa.jpg" width = 300><h6>Harlod Cohen, Clarissa. </h6>
<a name = "Cohen_Harold"></a>
<p><a href = "http://www.aaronshome.com/aaron/aaron/index.html"><strong>Cohen Harold</strong></a>. +2016. A major pioneer of digital art.<br>
> <em>Clarissa</em> (1993), Quoted by [<a href = "Eipc.htm#Lopes">Lopes</a>]. <br>
- Some works in the <a href = "Eipv.htm#Victoria">Victoria & Albert Museum</a>. <br>
- Quoted several times in [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] and [<a href = "Eipl.htm#Lieser">Lieser</a>] with large pictures <br>
< <em>Aaron's code. Meta-art, artificial intelligence and the work of Harold
- Cohen</em>. par Pamela MacCorduck . Freeman 1991.<br>
- Several works with pictures in [<a href = "Eipl.htm#Lieser">Lieser</a>]. <br>
- Some publications: <br>
- 1999 <A HREF = "https://prezi.com/wdj_msqczg05/colouring-without-seeing-by-harold-cohen/">Colouring without seeing: a problem in machine creativity. </A> Cohen (after a quite long rewriging of Aaron's history, tells in more detail about his color scale system. <br>
- 1994 <a href "http://www.aaronshome.com/aaron/publications/furtherexploits.pdf">The
- further exploits of Aaron, painter. </A>In reference to his 1988 paper ad
- to the McCorduck 's book, this aricle (13 pages) exposes the Aaron's progress
- in the way of realism, notably about color and depth (a relative form of
- . The color theory is told in more detail in the 1999 paper. - 1990 <A HREF = "http://www.aaronshome.com/aaron/aaron/publications/brothergkanga.pdf">
- Brother Giorgio's Kangaroo</A>. A remake, with some add-ons, to the precedent
- paper. <br>
- 1988<a href = "http://www.aaronshome.com/aaron/publications/how2draw3people.pdf">
How to draw three people in a botanical garden</A>. Much
more details than precedently, notably about knowledge
networks. Cohen also explains that 'Aaron has a limited
description base of plants (of a very general way) and
human beings.
- 1986 <A HREF = "http://www.aaronshome.com/aaron/publications/offtheshelf.pdf">Off the shelf . </A>A short and philosophical note, where you can see several works of the new genration of Aaron, of a clearly riches compared to the fort version. <br>
- 1982<A href = "http://www.aaronshome.com/aaron/publications/how2make.pdf">
How to make a drawing</A>. This paper opens a new phase. A
part of the paper is dedicated to philosophical
considerations about the first version of Aaron. The other
part telles the priniples that will guide the construction
of version 2. which, at this time, is still in infancy.
Note that now the idea that many things will be stored in
memory, which requires adn ad hor editor to build this
base... at leat as long as Aaron has not suffiiciently
taken off to progress by itself.
- * 1979 <A href = "http.www.aaronshome.com/aaron/publications/whatisanimage.pdf">What
is an image ? </A> This the first grand synthesis about
Aaron. It shows a strong maturation, compared to the
precedent papers. This is due to Cohen's continued
reflectio as well as to computer tool advances, notably the
exper system concept (trendy by this time... disappointing
later).
- 1976 <A HREF = "http://www.aaronshome.com/aaron/publications/matofsym.pdf">The material of symbols. </A> interesting for some experimentation with students. <br>
- 1974 <A HREF = "http://www.aaronshome.com/aaron/publications/onpurpose.pdf">On purpose</A>. Some add-ons about "what ia an artist". <br>
- 1973<A HREF = "http://www.aaronshome.com/aaron/publications/paralleltoperception.pdf"> Parallel to perception</A>. The first paper. The project is yet rather powerful. The concepts remain a little fuzzy, and the resuts limited by the available compputing power of this period. </p>
<p>- (Much) more in <a href = "Dipc.htm#Cohen_Harold">French</a>. </p>
<a name = "Cohen_Leonard"></a>
<p><strong>Cohen Léonard</strong>. Animation cinema. <br>
> <em>Plato </em>(2011). Best end of learning award and Jury's award at Annecy 2011.</p>
<p><a name = "Cohen-Daubechies-Feauveau"></a><strong>Cohen-Daubechies-Feauveau</strong>
- Wavelets [<a href = "Eipg.htm#Gonzalez">Gonzalez</a>]. </p>
<p><a name = "Cohen_Milton"></a> </p>
- <p><strong>Cohen Milton.</strong> Theater, and group Once (Ann Arbor, Michigan).
- Three pages in [<a href = "Eipy.htm#Youngblood">Youngblood</a>] with photo.
- <br>
- > <em>Unmarked Interchange </em>(1965). </p>
- <a name = "Cohen_Preston"></a>
- <p><strong>Cohen Preston Scott</strong>. Architect. <a href = "https://en.wikipedia.org/wiki/Preston_Scott_Cohen">Wikipedia</a><br>
- > <em>Wu House </em>(2000) Quoted by <a href = "Eipt.htm#Terracol">Terracol</a>
- with picture, for its use of "a simple morphologic grammar, with three
- vaults on which cones are grafted"". </p>
- <a name = "Cohen_Richard"></a>
<p><strong>Cohen Richard</strong><br>
> <em>Opera industriel </em>(1986). by Adam Chin and Richard Cohen. One copy in Ina funds. </p>
- <p><a name = "Cohl"></a><strong>Cohl Emile</strong>. Animation film pioneer.
- Biography in [<a href = "Eipw.htm#Willoughby">Willoughby</a>] p. 283. </p><a name = "Colbie"></a>
- <p><a href = "https://tomcolbieart.wordpress.com/"><strong>Colbie Tom</strong></a><strong>.</strong>
- Mainly a traditional painter, but sometimes he uses algorithms, like
- in <a href = "https://www.facebook.com/yannminh/posts/10155747587173731">this
- video </a> sent by Yann Minh. </p>
- <a name = "Coleman"></a>
- <p><a href = "http://www.melissacoleman.nl/"><strong>Coleman Melissa</strong></a>
- "Designer, maker, baker"</p>
- <img src = "Images/theholydress.jpg" width = 200><h6>Melissa Coleman: The holy dress. </h6>
- <p>> <em>Holy Dress</em> (2012). A garment that punishes its wearer through
- an electric shock when a lie is told. The dress is a speculative design
- imagining what it would be like to wear electronically enhanced clothing
- to help you stick to your morals. Because it is too easy to lie to yourself,
- the dress will check on your lies for you. Although the dress punishes,
- wearing it is not a punishment, but rather a radical new way to train yourself
- to become a better person. In the Holy Dress technology takes over the function
- that religion used to have of helping us to live the right way.<br>
- The work has a speech recognition system that constantly checks for lies.
- It guesses if you're lying through voice stress analysis, since vocal stress
- can be an indicator of untruthfulness. While you are talking the dress will
- light up, growing with intensity as the likelihood of a lie increases. Once
- the dress has determined it's heard a lie it will fully light up and flicker
- while it punishes you through an electric shock. The shock has two functions.
- On the one hand the punishment psychologically cleanses you of your sin,
- and helps you to forgive yourself, an action that is thought to be key to
- self-regulation. On the other hand it will train you to be truthful by making
- it unappealing to tell further lies.</p>
- <img src = "Images/Coleman.jpg" width = 200><h6>Melissa Coleman: Charlie.</h6>
- <p>
- > <em>Charlie </em>(2009) A coat includes memory cards which tell life
- slices of an old man into a sound set </p>
<p><a name = "Collaer"></a><strong>Collaer Paul. </strong> 1892-1989. <br>
< <em>La musque moderne, 1905/1955.</em> Elsevier 1955. Find in joined document <a href = "Autres_auteurs/Collaer.html">the final page</a> of this work, dedicated to "mechanical music". </p><a name = "Collectif_Anonyme"></a>
<p><a href = "http://www.collectifanonyme.com/"><strong>Collectif anonyme</strong></a>. Difficult to say where they are aiming to. The website shows a lot of divers works. <br>
><em> Drawzone</em> (2012). </p><a name = "Collectif_Yeta"></a>
<p><a href = "http://www.collectifyeta.org"><strong>Collectif Yeta </strong></a>Group of artists, video creation and interaction. One page in [<a href = "Eipd.htm#Dermineur">Dermineur</a>].<br>
> <em>Rien que du live </em>(2011). Interaction, event. </p>
<a name = "Collin"></a>
<p><a href = "http://web.me.com/jcollin1984/Productions_Jacques_Collin/Bienvenue.html"><strong>Collin Jacques</strong></a>. Productions Jacques Collin. <a href = "http://jacquescollin.com/cv.html">CV</a>.<br>
- > <em>Big Machine </em>(1982) . [<a href = "Eipp.htm#Picon-Vallin">Picon-Vallin</a>] p. 47. <br>
- More in <a href = "Dipc.htm#Collin">French</a>. </p>
<a name = "Collins_Dan"></a>
<p><a href = "http://www.asu.edu/cfa/art/people/faculty/collins/#anchor15765981"><strong>Collins Dan. </strong></a>
- "My work bridges traditional studio
concerns and digital media. I am interested in the
- gap between the virtual space of the computer and the
tangible, body-felt reality of sculptural
objects. I am a Professor of <a
href = "https://art.asu.edu/degree-programs/intermedia">Intermedia</a>
within the School of Art at Arizona State University and
Co-Director of the <a
href = "http://prism.asu.edu/">PRISM</a> lab -an
interdisciplinary 3D modeling and rapid
prototyping facility. I also coordinate the foundation
- program in basic art instruction (<a href = "http://www.asu.edu/cfa/wwwcourses/art/SOACore/">artCORE</a>)
- and Co-Direct an alternative art program called
<a href = "http://deepcreekarts.org">Deep Creek
Arts</a> in Telluride, ...
- ></strong> <em>Return to the Garden</em> (2002). Networked video.<strong></strong> [<a href = "Eipw.htm#Wands">Wands</a>].</p>
<p><a name = "Collins_Nick"></a></p>
<p><strong>Collins Nick</strong> <a href = "http://art-on-wires.org/archives/1337">Page Art-on-Wires</a>:
He has appeared in many places and guises. These might
include falling off a piano stool under computer
direction in Sydney, haphazardly touring the world with
Swedish audiovisual duo klipp av, or jogging while
singing for Brighton street-art. He is fascinated by the
vast algorithmic potential of music, but hopefully
won’t be too busy contemplating this to actually
<p><a name = "Collins_Susan"></a><strong>Collins Susan. </strong>Inter disciplinary multimedia.. <br>
- >
<em>Audiozone</em> (1994). [<a href = "Eipp.htm#Popper2 ">Popper 2</a>] 280-287. </p>
<p><a name = "Colombo"></a> </p>
<p><strong>Colombo Gianni</strong>. Lumino-cinetic art, with interaction, 1960's. <a href = "http://www.larousse.fr/encyclopedie/peinture/Colombo/151658">Encyclopédie Larousse</a>. A member of Gruppo T. </p>
<img src = "Images/colonna.jpg" width = 300><h6>Jean-François Colonna. One of the works in his website. </h6>
<p><a name = "Colonna"></a><strong>Colonna Jean-François</strong>. An image scientist. Ecole Polytechnique. Pioneer work on computer graphics in the 1970's. <br>
- His website "Art and science" at <a href = "http://www.lactamme.polytechnique.fr/Mosaic/descripteurs/Galerie_ArtAndScience.FV.html">Lactamme</a>
- .
<P><a name = "Color Cinetics"></a><strong>Color Cinetics. </strong> A Philips subsidiary for LED dynamic lighting. See <a href = "LED_Art.html">LED art</a>. </P><a name = "Colorusso"></a>
<P><a href = "http://www.craigcolorusso.com/"><strong>Colorusso Craig</strong></a><strong>.</strong> Music. <br>
> <em>Sun Boxes </em>(2011). Several musical loops. A comment by <a href = "http://www.random-magazine.net/2011/03/sun-boxes/">Random</a> magazine. <br>
><em> MB 89</em> (1997). </P>
<a name = "Colton"></a>
<P><a href = "http://ccg.doc.gold.ac.uk/simoncolton/"><strong>Colton Simon</strong></a>. <br>
< <em>The Painting Fool: Stories from Building an Automated Painter</em> in <a href = "Eipm.htm#McCormack ">McCormack 2012</a>.<br>
><em> The Painting Fool</em> (2010 c.). Automated painter software. <br>
- Quoted in [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] pp. 68, 76, 219. </P>
<a name = "Coltro"></a>
<br>
<a href = "http://www.davidecoltro.com/"><strong>Coltro Davide</strong></a>. Painting.
<P><a name = "Coman"></a><strong>Coman Florin</strong><em> <br>
- <
- L'histoire de l'art et l'informatique documentaire</em>. PhD Thesis, Lille III,
- 1988. </P>
<P><a name = "Com'Art"></a> </P>
- <P><strong>Com'Art</strong>. School and education center in Paris. Article in
- Créanum, Sept-Oct. 2011.</P>
- <a name = "Company_in_Space"></a>
- <P><strong>Company in Space</strong>. Theater<br>
- > <em>Incarnate</em> (2001) Cited by <a href = "::/Eipd.htm#Dixon">Dixon
- 2007</a>.</P>
<a name = "Compart"></a><br>
<p><a href = "http://dada.compart-bremen.de/"><strong>Compart</strong></a>. A database on digital art. </p>
<P><a name = "Complexitys"></a><a href = "http://complexitys.com/"><strong>Complexitys</strong></a> Interesting blog about digital art. </P><a name = "Computaknit"></a>
<P><strong>Computaknit</strong>. Painting<br>
- > <em>Untitled </em>(before 1977). See an image in the <a href = "http://recodeproject.com/" >Recode project</a>.</P>
<a name = "Computational_Aesthetics"></a>
- <P><a href = "http://www.computational-aesthetics.org/"><strong>Computational Aesthetics</strong></a>.
- A symposium founded in Eurographics frame in 2005 by Laszlo Neumann, Mateu
- Sbert, Bruce Gooch and Werner Purgathofer. </P><a name = "CAS"></a><a name = "Computer_Art_Society"></a>
- <P><a href = "http://computer-arts-society.com/"><strong>Computer Art Society</strong></a><strong>.</strong>
- Founded in 1968. </P>
- <a name = "Computer_Technique_Group"></a><a name = "CTG"></a>
<P><strong>Computer Technique Group</strong> (CTG) Includes : Koji Fujino, Junichiro Kakizaki, Masao Komura, Fujio Niwa, Makoto Ohtake, Haruki Tsuchiya and Kunio Yumanaka. Founded in 1967 at the IBM Scientific Data Center in Tokyo. <br>
- "Engineers and designers created many beautiful and varied art works, using image processing and geometric transformations", says [<a href = "Eipm.htm#Masson">Masson</a>] p. 394. <br>
- [<a href = "Eipb.htm#Bonnefoy">Bonnefoy</a>] p. 389:
"In 1966, the CTG group, formed around Tsuchiya Haruki
and Komura Maso made computer paintings and launched the
Japanese computer art. In the late 1960's, then, interest
for computer and technology grew among many artists, and
resulted in a expsition, Electromagica 69, at Tokyo's Sony
building, with foreign artists as Niccolas Schoeffer, Von
Huene, etc.
> <em>Dog </em>(1967-68), plotter drawing. Quoted by [<a href = "Eipl.htm#Lieser">Lieser</a>] with a picture </P>
<a name = "Congaz"></a>
<P><strong>Congaz.</strong> Multimedia firm. <br>
><em> Olympic games opening ceremony</em> (2008). 4 pages in [<a href = "Eipk.htm#Klanten">Klanten</a>]. </P>
- <P><a name = "Coniglio"></a><a href = "http://www.troikaranch.org/artDirectors.html"><strong>Mark
- Coniglio</strong></a>, A founder of <a href = "Eipt.htm#Troika_Ranch">Troika
- Ranch</a> Company. <br>
- He created the interactive dance software Isadora. <a href = "http://en.wikipedia.org/wiki/Mark_Coniglio">Wikipedia</a>.
- Cited by [<a href = "Eipd.htm#Dixon">Dixon 2007</a>].<br>
- Interview by Dawn Stoppiello in <em>Interagir avec les technologies numériques</em>
- (Bruxelles, Contredanse 2004).</P>
- <a name = "Conrad"></a>
- <P><a href = "http://www.demianconrad.com/"><strong>Conrad Demian</strong></a>.
- Designer of books. Presents itself as <a href = "http://www.automaticostudio.ch/">Automatico
- Studio</a>. <br>
- <em>> Responsive Typography</em> (2017) </P>
<a name = "CNN"></a>
- <P><strong>Conseil national du numérique (CNN)</strong>. The <a href = "http://www.minefe.gouv.fr/services/rap11/110225rapCNN.pdf">report</a>
- (no longer in line in June 2017). A French institution, installed in April
- 2011. </P>
- <a name = "Constant"></a>
- <P><a href = "http://www.constantvzw.org/"><strong>Constant</strong></a>.
- A non-profit association of self-managed artists, based in Brussels since
- 1997 and active in art, medias and technology. Among its activities, <a href = "Eipa.htm#Algolit">Algolit</a>,
- for literature.</P>
- <a name = "Constantini"></a>
- <P><a href = "http://www.arc-data.net/"><strong>Constantini Arcange</strong></a>
- . Moves <br>
- > <em>Milpa Polímera</em> by <a href = "Eipa.htm#Armas">Marcela Armas</a> and Arcángelo
- Constantini. See <a href = "Blog4 /Siggraph_2017.html">our post</a> about
- Siggraph 2017. <br>
- > <em>Retrofeed</em> (2012) </P>
<P><a name = "Contant"></a> </P>
<P><strong>Contant Benjamin</strong>. Matte painting. Winter 2011-2012.</P><a name = "Context_Free"></a>
<P><a href = "http://www.contextfreeart.org/"><strong>Context Free Art</strong></a>. A software tool for image generation from non-contextual grammars (Chris Coyne) <br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 172. </P>
- <a name = "Contreras"></a>
- <p><a href = "http://paulrosero.com/index.php/bio/"><strong>Contreras Paul
- Rosero</strong></a>. Mulimedia <br>
- > <em>The Andean Pavilion</em> (2017) See <a href = "Blog4 /Siggraph_2017.html">our
- post</a> about Siggraph 2017. <br>
- ><em> The craftsman (ecomimetismos I)</em> (2013)</p>
<P><a name = "Cook_Peter"></a><strong>Cook Peter. </strong>Architect. <a href = "http://fr.wikipedia.org/wiki/Peter_Cook_(architecte)">wikipedia</a>. He published many books about his art. In particular with Colin Fournier (Graz Museum of modern art, Austria). </P><a name = "Cook_Rob"></a>
<P><strong>Cook Rob</strong>. Animation. <br>
- <em>> Star Trek II: Wrath of Khan. </em>(1982) by Loran Carpenter, Bill Reeves, Tom Porter, Rob Cook, Tom Duff and David DiFrancesco , directed by Alvy Ray Smith. The firls all-digital computer-generated image sequence, according to [<a href = "Eipm.htm#Masson">Masson</a>]. </P>
<P><a name = "Cook Sar"></a><strong>Cook Sar</strong> <br>
< <em>Rethinking Curating</em>. by Beryl Graham et Sar Cook. MIT Press 2010. </p>
<P><a name = "Coop_Himmelb(l)au"></a> </p>
<P><strong>Coop Himmelb(l)au</strong>. Architects studio. <a href = "http://en.wikipedia.org/wiki/Coop_Himmelb%28l%29au">Wikipedia</a><br>
> <em>Musée des confluences</em>, in Lyon (project for2014). Presentation of the project at the <a href = "http://www.lyon-confluence.fr/">Lyon Confluence</a> show (Nov. 2011-Jan. 2012). </p><a name = "Coover"></a>
<P><a href = "http://www.roderickcoover.com/"><strong>Coover Roderick</strong></a><strong>.</strong> He "makes digital and interactive cinema, panoramic digital arts, installations, and webworks, and he publishes in fields of the arts, humanities and social sciences. " <br>
> <em>Currency: Four Experiments in the Video Poem </em>(2007). Co-created with writer Nick Monfort. </p>
<img src = "Images/Cope.jpg" width = 200><h6>David Cope : Classical music composed by computer</h6>
- <a name = "Cope"></a>
- <P><strong>Cope David</strong>. Generative music creation. <a href = "http://en.wikipedia.org/wiki/David_Cope">Wikipedia</a>.
- <a href = "https://www.youtube.com/watch?v = CgG1HipAayU &t = 5s">Youtube</a>.
- <br>
- > Classical Music Composed by Computer (CD)<br>
- > Virtual Mozart (CD)<br>
- > Bach by design (CD)<br>
- > Virtual Rachmaninoff (CD) <br>
- A long story (14 pages) about him in [<a href = "Eips.htm#Steiner">Steiner,
- 2012</a>] and 14 pages also in [<a href = "Eipl.htm#Lehmann">Lehmann</a>].<br>
- < <em>Experiments in musical intelligence systems</em>. Madison (WI),
- A.R. Editions 1996. <br>
- Quoted by <a href = "Asti_2001/ASTIACTES/ACTES07/ACTES07.html#GAC">Assayag</a>
- (Asti 2001 proceedings). </p>
- <a name = "Coppey"></a>
- <P><strong><a href = "http://www.caroline-coppey.com/#home">Coppey Caroline</a></strong>
- Digital works since 2004 in cooperation with the Cube (Issy-les-Moulineaux,
- <br />
> <em>Accords</em> (2010) a behavioral work, with an image database. The images composition depends on the sperctators preferences <br>
- > En 2006, <em>La Vie en Rose</em> (2006) behavioral work, with a database. A disk changes its colors according to temperature, light and time, and the spectators behavior.<br>
- > <em>Palettes 1-300</em> (2004) a film. </P>
<a name = "Coqart"></a><br>
<p><strong>Coqart Roger</strong>. Painting. Notice in <a href = "http://dada.compart-bremen.de/node/4592">Dada Compart</a> <br>
- > <em>Structure Square Series Inward</em> (1960's). See an image of this and other works, and reconstituted code in the <a href = "http://recodeproject.com/" >Recode project</a>. </p>
<a name = "Corbusier"></a>
<P><strong>Corbu, Le Corbusier</strong>. See <a href = "Eipl.htm#Le_Corbusier">Le Corbusier</a>.</P>
<p><a name = "Cordeiro_Analivia"></a><br>
</p>
<p><strong>Cordeiro Analivia</strong>. Painting<br>
- > T<em>he Programming Choreographer </em>(before 1977). See an image in the <a href = "http://recodeproject.com/" >Recode project</a>.</p>
<a name = "Cordeiro_Waldemar"></a><img src = "Images/Cordeiro.jpg" alt = "cordeiro" width = 400>
- <h6> Wademar Cordeiro: <em>Gente Grau 1 </em>(1972) </h6>
<P><a href = "http://www.itaucultural.org.br/aplicexternas/enciclopedia_ic/index.cfm?fuseaction = artistas_biografia&cd_verbete = 3529"><strong>Cordeiro Waldemar.</strong></a> A member of Nove Tendencije group (1960's). Around 1973, he declared that computer art has replaced constructivism. <br>
> <em>Gente </em>(before 1976). See an image in the <a href = "http://recodeproject.com/" >Recode project</a>. </P>
<a name = "Corel"></a>
<p><strong>Corel</strong><br>
- > <em>Corel Draw</em> (1990 c.) Software suite for graphic artists. <br>
> <em>Corel Painter</em> (1990 c.). </P>
<p><a name = "Corelabs"></a> </P>
<p><strong>Corelabs </strong>(or Core Labs): "An
artistic platform designed for the production,
investigation, experimentation and diffusion of the digital
and audiovisual culture. Formed by artists who also
contribute to the contemporary creation through their own
activity.". Headquarters in Beijing. Seems chiefly led
by Spanish scientists.
<p><a name = "Corin"></a><strong>Corin Florence. </strong><a href = "http://www.mutin.org/cv_corin.php">Page Web.</a> Artist. Publishing manager at Nouvelles de Danse.</p><a name = "Cornell_Lauren"></a>
<p><strong>Cornell Lauren</strong>. Curator for the New Museum and preparing its triennal (2015). <br>
- Quoted by [<a href = "Eipq.htm#Quaranta">Quaranta
2013</a>] pp. 4-5: "Cornell is the point woman for a
new generation of "media literate" curators, with
a background and a good network in the new media art world,
who are successfully stepping up to the contemporary art
world".
<p><a name = "Cornell_University"></a><strong>Cornell University</strong>. <a href = "http://www.arts.cornell.edu/english/people/murray/">Timothy Murray</a> leads here multiple "new media" activities. </p>
<a name = "Cornette"></a>
<p><a href = "http://www.cornettedesaintcyr.fr/"><strong>Cornette de Saint-Cyr</strong></a>.
- Auctioneer, a knower of digital art issues. See [<a href = "Eipf.htm#Forest">Forest 2010</a>].</p><a name = "Cornock"></a>
<p><a href = "http://stroudcornock.com/"><strong>Cornock Stroud</strong></a><strong>.</strong> Sculpture and interaction. <br>
> <em>Gemini</em> (1968). </p>
<p><strong>Coroller Sophie</strong>. Abstract painting with lights. </p>
<a name = "Cornu Anne-Marie"></a><br>
<p><a href = "http://www.amcornu.net/"><strong>Cornu Anne-Marie</strong></a>. Multimedia installations </p><a name = "Corredor"></a>
<p><a href = "http://elianacorredor.net84.net/"><strong>Corredor Eliana</strong></a>. Interaction. <br>
> <em>Echa tu cinta con la Maleta Viajera
</em> (2005).
<p><a name = "Corrine"></a></p>
<p><strong>Corrine Legalize </strong><a href = "http://www.lesquat.com/corrine/presentation.html">Kabarelectronik</a> . Video and computer for a "cyber trendy show". . </p>
<a name = "Corsetti"></a>
<p><strong>Corsetti Giorgio Barbiero</strong>. Stage director. <br>
> <em>La Pietra del Parragone</em> (2007), by Rossini, directed by Giorgio Barbierao Corsetti and Pierrick Sorin. Quoted by [<a href = "Eipm.htm#Moindrot">Moindrot 2013</a>], p. 198. </p>
<a name = "Corsino"></a>
<p><a href = "http://www.nncorsino.com/"><strong>Corsino N + N</strong></a>. A couple of plastic artists/dancers.<br>
- > <em>Surf et surface</em> (2012). Cited with picture in Artpress2 <em>Art in the digital age</em>, May-June-July 2013<br>
- > <em>Topologie de l'instant </em>(2002). <br>
> <em>Temporel </em>(1994) Mixes, in the same choreography, recorded on videotape, real and virtual dancers. [<a href = "Eipc.htm#Couchot">Couchot 2003</a>] p. 95.</p>
<p><a name = "Corte"></a> </p>
<p><strong>Corte Ferdinand</strong><br>
- > <em>Mesle-entreprise</em> (2000). A fictional enterprise. [<a href = "Eipf.htm#Forest2 ">Forest 2</a>]. </p><a name = "Cortright"></a>
<p><a href = "http://www.petracortright.com" target = "_blank"><strong>Cortright Petra</strong></a>. Internet artist. <a href = "http://en.wikipedia.org/wiki/Petra_Cortright">Wikipedia</a>
- <br></a>
- > <em>vvebcam</em></a> (2007). See <a href = "http://www.youtube.com/watch?v = GPaCCBE-K1g">Youtube</a>
- Page supprimée en 2017. </p>
<a name = "Cosgriff"></a>
<p><strong>Cosgriff Robert L</strong>. Computer graphics in 1965. <a href = "http://dada.compart-bremen.de/node/4242#">Compart</a> page. </p>
- <a name = "Cosic"></a>
- <p><a href = "http://www.ljudmila.org/~vuk/"><strong>Cosic Vuc</strong></a>
- [<a href = "Eipg.htm#Greene">Greene</a>] pp. 53-56, 76-77 presents the artist
- and his works, with several pictures. <span class = "marron"> </span> <a href = "http://en.wikipedia.org/wiki/Vuk_%C4%86osi%C4%87">Wikipedia</a>.<br>
- > <em>Psychodada</em> (2017), for <a href = " Blog3 /Dada.html">Dadaclub.online</a><br>
- > <em>Very Deep ASCII </em>(2015) quoted with picture by [<a href = "Eipl.htm#Lieser">Lieser</a>]
- 2015.<br>
- ><em> History of Art for the Intelligence Community</em> (2002). 8 pages
- with pictures in [<a href = "Eipa.htm#Algora">Algora</a>].<br>
- > Blow Up (1999) characters on screen. in [<a href = "Eipl.htm#Lieser">Lieser</a>]
- with a large picture <br>
- ><em> Deep ASCII</em> (1998). "Ascii" version of the Deep Throat
- film. [<a href = "Eipg.htm#Greene">Greene</a>] pp. 88-92. <br>
- > <em>Net Criticism Juke Box</em> (1997). <br>
- > <em>Signs for airports</em> (1997) quoted by [<a href = "Eipl.htm#Lieser">Lieser</a>]
- with pictures<br>
- > <em>Net.art per se</em> (1996). Included a copy of CNN! </p>
<a name = "Cosnefroid"></a>
<p><strong>Cosnefroid Florence</strong>. Interaction<br>
- > <em>Colorama </em>(2010).</p>
<a name = "Costa_Anabela"></a>
<p><strong>Costa Anabela</strong>. Independent film maker, working on mobile image, experimental animation and art/science relationships. <br>
- <A href = "http://mywindowanabelacosta.blogspot.com">Website</A>, <A href = "http://wwwanabelacostacom.blogspot.com">Animation examples </A><br />
- > <em>In motion </em>(2016). Film <br>
- < <em>ArtiE -Fract, used by Anabela Costa, visual artis</em>t. by Evelyne Lutton and Anabela Costa. Communication at Computational Aestheticss in Graphics, Visualization and Imaging (2012). D. Cunningham é D. House (Editors). <br>
< <em>VR_the Simulacrum of a personal imaginary</em>. Communication at Laval Virtual 2010. <a href = "http://www.laval-virtual.org/2010/papers2010//10.pdf">Online</a>.</p>
<a name = "Costa"></a>
<p><strong>Costa Mario</strong>.
- University of Salerno. Art critic. notably about sociological art. <br>
- Mario Costa and Fred Forest organized in 2008 in Paris the <em>Artmedia X</em> workshop. The proceedings have been published in 2011 by l'Harmattan with Ina suppport. They are on line on <a href = "http://www.olats.org/projetpart/artmedia/2008/mono_index.php">Leonardo-Olats. </a><br>
- <em>< </em>
- <em>Internet et globalisation esthétique. L'avenir de l'art et de la
- philosophie à l'époque des réseaux</em>. L'Harmattan 2003.
- <i>AH No</i> <a href = "Hebdo/h134/h134.htm">134</a>.<br>
- Co-organizer of "De l'esthétique de la communication
- au net art" conference, AH No <A HREF = "Hebdo/h96/h96.htm">96</A> (concepts).<br>
- [<a href = "Eipc.htm#Couchot">Couchot 2003</a>] p. 251.</p>
<p><a name = "Costa_Toni"></a><br>
</p>
<p><strong>Costa Toni</strong>. Kinetic art. Member of Gruppo N. 1950's. </p>
<p><a name = "Costello"></a> </p>
<p><a href = "http://www.maebhcostello.com"><strong>Costello Maébh</strong></a><strong>.</strong> Croquis et photoshop. Thématique végétale. Citée par par [<a href = "Dipb.htm#Book2 ">Book</a>], hiver 2011-2012. </p>
<p><a name = "Cote_noir_Cote_blanc">
- <p>
- </a><strong>Côté noir/Côté blanc. </strong>A series of shows in Cité des Sciences de La Villette, in September 2002, combining a real stage with Internet. Reports by Yannick Bressan (Compagnie e-toile, Strasbourg) and Cécile Huet (author/director), in [<a href = "Eipg.htm#Garbagnati">Garbagnati</a>].
- <a name = "Cotto-Zef"></a>
<p><a href = "http://cottozef.com/bios"><strong>Cotto-Zef</strong></a>, duo composed of <a href = "http://cottozef.com/bios/cotto"> Suzanne Cotto</a>, choreographer, dancer, video maker and <a href = "http://cottozef.com/bios/zef" >Christine Moreau ZEF</a>, composer, singer, sound engineer. -</p>
<p><a name = "Couasnon"></a><strong>Couasnon</strong><br>
- < <em>Numérisation et patrimoine</em>, edited by B. Couasnon
and H. Emptoz. Hermès 2004. </p><img src = "Images/couchot-pissenlit.jpg" width = 400>
<h6>Edmond Couchot and Michel Bret : The dandelion. </h6>
<P><a name = "Couchot"></a><strong>Couchot Edmond</strong>. Artist and former professor at Paris 8 University. <a href = "http://fr.wikipedia.org/wiki/Edmond_Couchot">Wikipedia</a>. </P>
- <p>< <em>Outre-ronde: Anne-Sarah Le Meu</em>r. Galerie Charlot 2016.<br>
- < A rich preface for [<a href = "Eipa.htm#Aziosmanoff">Aziosmanoff 2015</a>]<br>
- < <em>La nature de l'art</em>. Hermann 2012. See <a href = "Elog/Couchot_Art.html">our
- note </a><br>
- < <em>Le mariage de l'art et de la technologie</em>. Communication at
- the Le futur a un passé (2011) conference. Tells mainly of the creation
- of the "Arts et technologie de l'image", 1982, in Paris 8. <br>
- The automatization of figurative techniques: towards the autonomous image.
- 11 pages dans [<a href = "Eipg.htm#Grau">Grau</a>].<br>
- < <em>Des images, du temps et des machines dans les arts et la communication</em>.
- Jacqueline Chambon 2007.<br>
- < <em>L'art numérique</em>, Comment la technologie vient au monde
- de l'art. by Edmond Couchot and Norbert Hillaire. Flammarion 2003. New printing
- in collections Champs Arts in 2009?<br>
- Communication in the "<em>De l'esthétique de la communication
- au net art</em>" symposium AH No <A HREF = "Hebdo/h96/h96.htm">96</A>
- (concepts) and <i>AH No</i> <a href = "Hebdo/h97/h97.htm">97</a> (concepts).
- <br>
- <i>Dialogues sur l'art et la technologie autour d'Edmond Couchot</i>,
- François Soulages ed. , <I>AH No</I><A HREF = "Hebdo/h66/h66.htm">66</A>
- (biblio). <br>
- <I>AH No</I> <A HREF = "Hebdo/zh26/h26.htm">26</A> (interview). <br>
- < <em>La technologie dans l'art. De la photographie à la réalité
- virtuelle.</em> Jacqueline Chambon 1998. <br>
- > <em>I sow to the Four Winds</b></em> (1990) [<a href = "Eipp.htm#Popper2 ">Popper
- 2</a>].<br>
- < <em>Images, de l'optique au numérique</em>. Hermès 1988.
- <br>
- > <em>Je sème à tout vent. </em>(1990). by Edmond Couchot,
- Michel Bret and Marie-Hélène Tramus). In 2015, the work is
- shown at Futur en Seine (see <a href = "Blog/2015_FES/2015_FES.html">our
- post</a>, including the catalog presentation).. <br>
- > <em>La plume </em>(1988), by Edmond Couchot, Michel Bret and Marie-Hélène
- .. In 2015, the work is shown at Futur en Seine (see <a href = "Blog/2015_FES/2015_FES.html">our
- post</a>, including the catalog presentation).. <br>
- Quoted by [<a href = "Eipp.htm#Popper1 ">Popper 1</a>] pages 44 and 155 and
- [<a href = "Eipp.htm#Popper2 ">Popper 2</a>] pp. 183-187. <br>
- > <em>Semaphora I, II and III</em> (1965, 1967). Quoted by [<a href = "Eipc.htm#Couchot">Couchot
- 2003</a>] p. 47. <br>
- "In 1969, with the creation of the fine arts department at the experimental
- University of Vincennes, near Paris, Couchot began teaching. He was also
- fortunate to meet a group of like-minded researchers, informaticians and
- artists (painters and musicians) at the university such as Michel Bret,
- Hervé Huitric and Monique Nahas. Couchot then founded, with Marie-Hélène
- Tramus, a new department called Art et Technologies de l'Image, which he
- directed until 2000. This was the first institution in France to offer students
- a serious technological curriculum with artistic ends and a PhD option.
- <P><a name = "Coudsi"></a><strong>Coudsi Paul </strong>Film maker.
<a href = "http://histoire3d.siggraph.org/index.php?title = Paul_Coudsi">Paris ACM Siggraph</a> page. <br>
> <em>Le stylo </em>(1987), by Daniel Borenstein and Paul Coudsi. Produced by Eurocitel and TDI. </P>
<a name = "Coulon"></a>
<P><a href = "http://www.francoiscoulon.com/"><strong>Coulon François</strong></a>. Hypertextual poetry and literature. Rather long presentation in [<a href = "http://www.olats.org/livresetudes/basiques/litteraturenumerique/9_basiquesLN.php">Bootz]</a>. <br>
- > <em>Prise multiple</em> (2010 c.). Videos. Digital? See the <a href = "http://francoiscoulon.com/prise-multiple/?lang = en">web page</a>. <br>
- > <em>The reprover</em> (2008), a hyperfiction. See the <a href = "http://francoiscoulon.com/thereprover/">web page</a>. <br>
> <em>Egérie </em>(1990), on Atari. </P>
<img src = "Blog/2013_Fall/Courchesne_SB.jpg" alt = "Courchesne" width = 250>
<h6>Courchesne: Santa Barbara</h6>
<a name = "Courchesne"></a><P><strong>Courchesne Luc. </strong>Interaction, performance and video. </P>
<P>> <em>Santa Barbara </em>(2013 c.) at Show Off 2013. <br>
- [<a href = "Eipm.htm#Murray">Murray</a>] <br>
- > <em>Posture</em> (2010). Presented within "Québec Numérique" at Gaité Lyrique, Paris 2012. <br>
- > <em>Rivages (series</em>, 2006-2010). <br>
- > <em>Bei Dai He</em> (2008) Panoramic video for immersion in a Chinese bath resort. Selected by Digitalarti. <br>
- >
- <em>The visitors. Living by numbers</em> (2001) [<a href = "Eipp.htm#Paul">Paul</a>]. <br>
- > <em>Portraits</em> (1990) until 1993. [<a
href = "Eipp.htm#Popper2 ">Popper 2</a>] pp. 287-292. [<a
href = "Eipm.htm#Moulon">Moulon</a>] p.46-47 with a picture
of <em>Portrait One</em>. Crossing temporalities. In 2015,
Portraits n°1 is shown at Futur en Seine (see <a href
- = "Blog/2015_FES/2015_FES.html">our post</a>, including the
catalog
- [<a href = "Eipj.htm#Jouable">Jouable</a>], [<a href = "Eipv.htm#Vroege">Vroege</a>] shows a picture of<em> Portrait One</em>. <br>
- >
- <em>Le salon des ombres</em> (1996), comments in [<a href = "Eipa.htm#Aziosmanoff">Aziosmanoff</a>]. <a name = "Courdy"></a></P>
<p><strong>Courdy Keiko</strong>. Artiste <a href = "http://www.ki-keiko.net/html/index2.html">Site web</a> <br>
- She uses digital media to create immersive environments. Since 2004, she teaches in Kyoto, University of Art and design. </p>
<P><a name = "Court"></a><strong>Court Raymond</strong><br>
- < <em>Du sprirituel dans l'art contemporain</em>. Jacques-Louis
- Binet ed, with texts by Jérôme Alexandre, Pierre Arnaud,
- , Micky Boël, Jean-Marc Cerino, Raymond Court, Anne Dagbert, Patrick Giorda,
- Bernard Goy, Christelle Langrené, Chantal Leroy, Renée Moineau,
- Dominique Ponneau, Paul-Louis Rinuy, François Rouan andChristine Vaque.
- Ereme 2003. </P><a name = "Couvelaire"></a>
<P><a href = "http://www.natachacouvelaire.fr/"><strong>Couvelaire Natacha</strong></a> <br>
- > <em>Aricebo</em> (2015C) Photograhy and processing. Hygh definition
<P><a name = "Couwenbergh"></a><strong>Couwenbergh J.P. </strong><br>
- < <em>Guide complet et pratique de la couleur</em>, by J.P. Couwenbergh. OEM/Eyrolles
- 2003. </P>
<a name = "Couzinet"></a>
<p><strong>Couzinet-Jacques Sylvain</strong>. Photography with touch-up and compositing. <br>
> <em>Outstanding Nominals</em> (2012)</p>
<a name = "Coverley"></a>
<P><strong>Coverley M.D</strong>. See <a href = "Eipl.htm#Luesebrink">Luesebrink</a>. </P>
<P><a name = "Cox_David"></a><strong>Cox David,</strong> Little Jonh and O’Shea Donald<br>
<em>< Ideals, varieties and algorithms. An introduction to computational algebraic geometry and commutative algebra.</em> Springer 1992,1997.<br>
- Quoted by [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p. 122. </P>
<P><br>
- <a name = "Cox_Geoff"></a></P>
<P><strong>Cox Geoff.</strong> Artist and generative art theorist. His <a href = "http://www.anti-thesis.net/">website</a> offers an important collection of substantial texts. Indicated by Alain Lioret. For example: <br>
- < <em>The aesthetics of Generative Code</em> by Geoff Cox, Alex McLean
- and Adrian Ward.</P>
<P><a name = "Cox_Ian"></a> <strong>Cox Ian. </strong> A member of <a href = "Eipf.htm#Future_Farmers">Future Farmers</a>. "An artist, explorer, and creative problem solver. Exploration of our world with an imaginative open mind".</P>
<P><a name = "Cox_Philip"></a> </P>
<P><a href = "http://www.coxarchitecture.com.au/"><strong>Cox Philip.</strong></a> Architect<br>
- > <em>Melbourne Rectangular Stadium</em>, (2010).
Geodesic dome. Technical description in [<a
href = "Eipb.htm#Burry">Burry</a>]. <a href = "https://en.wikipedia.org/wiki/Melbourne_Rectangular_Stadium">Wikipedia</a>. "The building’s key design feature is
its bubble-like bio-dome which will be covered with
thousands of LED lights. the roof is inspired by
buckminster fuller’s geodesic dome and its unique
cantilevered design will provide excellent sightlines while
covering the seats. "
<P><a name = "Craig"></a><strong>Craig Edward Gordon</strong>. Light art.<br>
- He "revealed the pure movement of things in silence [<a href = "Eipp.htm#Popper">Popper2 </a>] p.13.</P>
- <P><strong>Cramer Florian</strong><br>
- > <a href = "http://permutations.pleintekst.nl/n-8/aleph.cgi?&q = river&i = w"><em>Here
- Comes Everybody</em></a>, permutations, 1996-98, web project. (In June 2017,
- we cannnot confirm this info). </em></P>
<a name = "Crandall"></a>
<p><a href = "http://jordancrandall.com/"><strong>Crandall Jordan.</strong></a>
[<a href = "Eipp.htm#Popper1 ">Popper</a> 1] p. 139. Not in Net art.<br>
> <em> Suspension</em> (1997), by Jordan Crandall and Marek Walczak. (Documenta X, Kasel, 1997). Using VRML. </P>
<p><a name = "Craven"></a><strong>Craven Tom</strong>.<br>
- Siggraph 2006 Emerging technologies chair et
- Art gallery jury. </p><a name = "Crawford"></a>
<p><strong>Crawford Graham</strong>.<br>
><em> Mirror Wound </em>(1999). [<a href = "Eipg.htm#Greene">Greene</a>] p</A>. 113. On the site of Queer Arts Resource, an SF story. </p>
- <p><a name = "CRCA"></a><strong>CRCA</strong>. <a href = "http://crca.ucsd.edu/">Center
- for Research in Computing and the Arts</a> (retired website). San Diego,
- California. Harold Cohen has been one of its chief members. </p>
<a name = "Creénum"></a><br>
- <p><strong>Créanum</strong>. Was a magazine about digital creation
- (in the 2000's) </p>
<a name = "Crescenti"></a><br>
<p><a href = "http://www.crescenti.com.br/"><strong>Crescenti Leonardo.</strong></a> Architect but mainly a film maker, with 13 short films and a lot of international awards among which Cannes Festival. </p>
<p><a name = "Crespin_Benoit"></a><strong>Crespin
- Benoit</strong> <br>
< <em>Réalité virtuelle, synthèse d'images et visualisation</em>.
- Benoit Crespin, Eric Galin and Bernard Péroche eds.. Hermès/Lavoisier
2004 (special issue of the review CFAO et d'informatique graphique). </p>
- <img src = "Images/Tapiz_Doble1.jpg" width = 500>
- <h6>Elias Crespin : Tapiz Doble. Minimalist.... at first sight. </h6>
- <a name = "Crespin_Elias"></a><a name = "Crespin"></a>
- <p><strong>Crespin Elias</strong>. Multimedia.<br>
- > <em>Grand HexaNet </em> (2018). A large piece, shown at <a href = "Blog5 /Artistesrobots.html">Robots &
- Artists</a> exhibtion.<em><br>
- > Circuconcentricos Bianco y Rojo</em> (2013), shown at the <a href = "Blog/Denise_Rene_2013_b.html">exposition
- #passion art (cinetique-numerique)</a> Denise René (spring 2013).
- Our <a href = "Blog/Denise_Rene_2013_b.html">note</a>. <br>
- > <em>Flexionante Circular</em> (2012) shown in <a href = "Blog/Slick_2013.html">Turbulences
- II</a>, villa Empain in Brussels (spring 2013). <br>
- ><em> Pentaconcentricos </em>(2012). <a href = "http://www.youtube.com/watch?v = D5RAGd0ny_4&feature = related">Youtube</a>.
- <br>
- > <em>Hiperficies </em>(2010). Exposition in 2010. <br>
- > <em>Kinetica </em>(c. 2006) <a href = "http://www.youtube.com/watch?v = lwlCS6xLBQs">Video</a></p>
- <a name = "Crichton"></a>
<p>
<strong>Crichton Michael</strong> <br>
> <em>Westworld</em> 1973. 2 pages with pictures in > <em>Halftone Animation</em> 1972.
with Frederick Parke. Images in <a href = "https://www.academia.edu/1143704/History_of_Computer_Art">[Dreher]</a> <br>
> <em>Looker</em>
- 1981. > <em>Halftone Animation</em> Cited with an image by <a href = "https://www.academia.edu/1143704/History_of_Computer_Art">[Dreher]</a>
</p>
<a name = "Crifino"></a></p>
<p><strong>Crifino Fabio</strong>. A member of <a
href = "Eips.htm#Studio_Azurro">Studio Azurro</a>, An
artistic research studio, using new technologies. Created
by Fabio Crifino in 1982, Paolo Rosa (visual arts and
film) and Leonardo Sangiorgi (graphic arts and animation).
In 1995 Stefano Roveda, interactive systems expert, joins
the
<a name = "Cristofol"></a>
- <p><strong>Cristofol Jean</strong>. Philosopher dealing wtih digital art, mainly
- around the notion of real time. Lecturer, Ecole Supérieure d’Art
- d’Aix-en-Provence.<br>
- Takes part in the Plot project. <br>
- See [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] p.100, 122. </p>
- <a name = "Critical_Art_Ensemble"></a>
- <p><a href = "http://www.critical-art.net/"><strong>Critical Art Ensemble</strong></a>.
- CAE is a collective of five tactical media practitioners of various specializations
- including computer graphics and web design, film/video, photography, text
- art, book art, and performance. Cited by [<a href = "Eipr.htm#Reichle">Reichle
- 2009</a>]<br>
- ><em> Society of Reproductive Anachronisms</em> (1990 c.) [<a href = "Eipg.htm#Greene">Greene</a>]
- p</A>. 110. <br>
- ><em> Biocom</em> (1990 c. ) [<a href = "Eipg.htm#Greene">Greene</a>] p.
- 110. </A><br>
- <em>< Digital Resistance. Exploration in tactical media..</em> Critical
- Media. Autonomedia 2001 and five other books. </p>
<p><a name = "Critikat"></a><strong><a href = "http://www.critikat.com/">Critikat </a></strong>A critical weekly about films on the web. </p>
<p><a name = "Crocus Safran"></a><strong>Crocus Safran</strong>. Film production. Dominique Bloch. </p>
<a name = "Croize"></a>
<p><strong>Croizé Fabrice</strong>. Co-founder of <a href = "Eipc.htm#Calvacreation">Calvacréation</a> group </p>
<a name = "Crondon"></a>
<p><strong>Crondon Brody</strong>. <a href = "http://en.wikipedia.org/wiki/Brody_Condon">Wikipedia</a>. Performance and modified games, dealing with post-traumatisms and fantasy. <br>
> <em>love-2.wad</em> (2002). <br>
- ><em> Adam Killer </em>(2000). <br>
- > <em>Cracking the Maze</em> (1999). </p>
- <img src = "Blog/FDSC0119_6327.JPG" width = 300> <h6>Michael Cros : Datasauvages, behavioral interactive installation</h6>
<a name = "Cros"></a>
<p><strong>Cros Michael</strong><br>
- > <em>Datasauvages</em> (2015) . Interactive
installation, playing with the machine "emotion".
The user can type something, or make moves (detected by a
camera), and the work makes different answers, up to the
moment where there are too many inputs and the user
dismissed as "savage".
- >
- <em>Les mains</em> (2004). 14 pages in [<a href = "Eipa.htm#Aziosmanoff">Aziosmanoff</a>] with 3 color pictures. </p>
<p><a name = "Cross"></a><strong>Cross Lowell. </strong>Multimedia.
[<a href = "Eipp.htm#Popper2 ">Popper 2</a>] p. 24. Invented the laserlight-show. </p>
<p><a name = "Cross_Nick"></a> </p>
<p><strong>Cross Nick</strong>. Book writer, and editorial activities.<br>
- Interview in <a href = "http://www.whoatemybrain.com/2012/11/transmedia-setting-stories-free.html">Who ate my brain"</a>: "Transmedia is one of the hottest concepts in the entertainment world, allowing stories to break away from books or films and be told across many types of media simultaneously."</p>
<a name = "Crouzet"></a>
<p><strong>Crouzet Thierry</strong>. See <a href = "http://tcrouzet.com/">his blog</a>, notably about writing and publishing. <br />
> <a href = "https://www.scribay.com/" ><em>Scribay</em></a> (2016) , a collaborative workshop for writers. </p>
<p><a name = "Crowe"></a><strong>Crowe Nick</strong>
- . <br>
- > <em>Discrete packets</em> (2000) (net)
- [<a href = "Eipp.htm#Paul">Paul</a>].</p><a name = "Crowther"></a>
- <p><strong>Crowther Will</strong><br>
- > <em>Colossal Cave Adventure</em> (1775-77). Game on Atari. </p>
- <a name = "Crosetto"></a>
- <p><strong>Crosetto Guillermo</strong>. Architect, design<br>
- < <em>Textiles. Innovations et matières actives</em>, par Florence
- Bost et Guillermo Crosetto. Eyrolles 2014.</p>
<p><a name = "Crumb"></a></p>
<p><a name = "Cruxent"></a><strong>Cruxent Jose-Maria </strong>[<a href = "Eipp.htm#Popper1 ">Popper 1</a>] p.63. Optical and kinetic art. </p>
<img src = "Images/Cruz1_.jpg" width = 400>
<h6>Carlos Cruz-Diez. Color. </h6>
<p><a name = "Cruz-Diez"></a><strong>Cruz-Diez Carlos. </strong> Interaction.<br>
- < <em>Réflexion sur la couleur,</em> by Carlos Cruz-Diez. Ecole nationale supérieure des beaux arts, Paris 2013. Our comment : <a href = "Blog/Cruz-Diez_Color.html">Enjoy... but think ahead </a><br>
- [<a href = "Eipp.htm~#Popper1 ">Popper 1</a>] pp. 22 27 29 52 69 107-111.<br>
- At Denise René's in 2013. Our <a href = "Blog/Denise_Rene_2013_b.html">note</a>. <br>
<em>> Expérience chromatique aléatoire interactive</em> (1995) [<a href = "Eipp.htm#Popper2 ">Popper 2</a>] pp. 39 30. </p>
<p><a name = "Cruz"></a><strong>Cruz Indira Tatiana</strong><br>
- >
- <em>En corps à corps</em> (2004). 14 pages in [<a href = "Eipa.htm#Aziosmanoff">Aziosmanoff</a>] with two color pictures. </p>
<p><a name = "CST"></a><strong><a href = "http://www.cst.fr/">CST</a></strong> Commission supérieure technique de l'image et du son (Technical superior commission on image and) sound). </p>
<P><a name = "Csuri"></a><strong>Csuri Charles </strong> Painter.<br>
- "Charle Csuri created an analog computer and used it
to make transformations of a drawing. He completed a series
of drawings based on the paintings of old masters such as
Durer, Goya, Ingres, Klee? Mondrian and Picasso" (
[<a href = "../Eipm.htm#Masson">Masson</a>] ).
- The Siggraph 2006, in Boston, dedicate to him a retrospective exposition, with a substantial catalog.<br>
- [<a href = "Eipp.htm#Processing">Processing</a>], [<a href = "Eipp.htm#Paul">Paul</a>].
- [<a href = "Eipp.htm#Wands">Wands</a>] comment and present various works. <br>
- Quoted by [<a href = "Eipc.htm#Couchot">Couchot 2003</a>] p. 41, [<a href = "Art_Generatif/AG-Summary.html">Berger-Lioret</a>] pp. 65-66. <br>
- > <em>Random Squares</em> (before 1976). See an image and reconstituted code in the <a href = "http://recodeproject.com/" >Recode project</a>. <br>
- > <em>Sine Curve Man</em> (1968).<br>
- > <em>Ridges over time</em> (1968). Sculpture, digital fabrication. Quoted by [<a href = "Eipl.htm#Lieser">Lieser</a>] with a picture <br>
- > Hummingbird (1967). Film, vector interpolated 16mm animation. <br>
- In 1967, a contributor submitted an essay on Charles
Csuri to Art Forum. The magazine's editor Philip Leider
rejected it, adding: "I can't imagine Artforum ever
doing a special issue on electronics or computers in art,
but one never knows" (Quoted by [<a href =
"Eipq.htm#Quaranta">Quaranta</a>], p. 7).
- Works in the <a href = "Eipv.htm#Victoria">Victoria & Albert Museum</a>. </P>
<img src = "Images/csuri.jpg" width = 400>
<h6>Charles Csuri: Venus MIX.</h6>
<p><strong>CTG Group</strong>, See <a href = "#CTG">Computer Technique Group</a>.</p>
<a name = "Cuba"></a>
<p><a href = "http://www.well.com/~cuba/Biography.html"><strong>Cuba Larry</strong></a>. <a href = "http://en.wikipedia.org/wiki/Larry_Cuba">Wikipedia</a>. A pioneer in abstract animation (worked in the 80's ), and founder of the <a href = "http://www.iotacenter.org/">Iotacenter</a> website. <br>
> <em>First Fig </em>(1974). Quoted by [<a href = "Eipm.htm#Masson">Masson</a>], who gives a biography of this artist.
<br>- A frame simulation episode in Star Wars Episode IV. Cited with an image in > <em>Halftone Animation</em> 1972. with Frederick Parke. Images in <a href = "https://www.academia.edu/1143704/History_of_Computer_Art">[Dreher]</a>
- </P>
<P><a name = "Le_Cube"></a><a name = "Cube"></a><p><a href = "http://www.lecube.com/"><strong>Le Cube</strong></a><strong>.</strong> Digital creation center, Issy-les-Moulineaux (Ile-de-France).<br>
- Some comments by Elen Riot in the collective book edited by Marc Borillo: <em>Dans l'atelier d'art, expériences cognitives</em>. Champ Vallon 2010. </P>
<a name = "Cubitt"></a>
<p><strong>Cubitt Sean</strong> Editor-in-Chief, Leonardo Book Series. <a href = "http://seancubitt.blogspot.com/">His blog</a>.<br>
<
<em>Projection: vanishing and becoming</em>. 16 pages dans [<a href = "Eipg.htm#Grau">Grau</a>].<br>
<
<em>Digital Aesthetics</em>. Sage, London 1998.</P>
<a name = "Cuevas"></a>
<p><strong>Cuevas Minerva</strong>. <a href = "http://en.wikipedia.org/wiki/Minerva_Cuevas">Wikipedia</a>.<br>
> <em>Mejor Vida Corporation</em> (1999). Art project for electronic commerce. [<a href = "Eipg.htm#Greene">Greene</a>]. </P>
- <img src = "Images/Cuba.jpg" width 400>
- <h6>Larry Cuba. Two Space, 1979. </h6>
<a name = "Cullinane"></a>
<p><strong>Cullinane Steven H</strong>. Painting, mainly a mathematician. <br>
> <em>Diamond Theory </em>(before 1977). See an image and source code in the <a href = "http://recodeproject.com/" >Recode project</a>.</P>
<a name = "Culturelabs"></a>
<P><a href = "http://culturelabs.culture.fr/"><strong>Culture Labs</strong></a>. A move of
- the French ministry of Culture, to foster cultural digital uses innovating for the public. </P>
- <a name = "Cumbrowski"></a>
<p><strong>Cumbrowski Carsten</strong>. Some graphics on micro-computers ASCII art. <br>
> <em>Closed Society</em> (1994). The dedicated <a href = "http://www.roysac.com/bbs.asp">blog</a> (1994-1998).
Quoted by [<a href = "Eipl.htm#Lopes">Lopes</a>] p. 5. </p>
<a name = "Cunin"></a>
<p><strong>Cunin Dominique</strong>. Interaction. See his <a href = "http://fdm.ensad.fr/?page_id = 950">Ensad</a> page. <br>
- <em>
- >
- Book Tales</em> (2010-2014). by Dominique Cunin & Mayumi Okura: Interactive books on iPads. In 2014, the work is shown at Futur en Seine (see <a href = "Blog/2015_FES/2015_FES.html">our post</a>). </p>
<a name = "Cunningham"></a>
- <P><strong>Cunningham Douglas</strong>. <br>
- < <em>How Believable Are Real Faces? Towards a Perceptual Basis for Conversational
- Animation</em>. by Douglas W. Cunningham, Martin Breidt, Mario Kleiner,
- Christian Wallraven and Heinrich H. Bülthoff. <a href = "https://www.researchgate.net/publication/4015891_How_believable_are_real_faces_Towards_a_perceptual_basis_for_conversational_animation">Webpage</a>.
- </P>
- <a name = "Cunningham_Merce"></a> ?
- <p><strong>Cunningham Merce</strong>. <a href = "http://fr.wikipedia.org/wiki/Merce_Cunningham">Wikipedia</a>
- Choreographer and leader of the Merce Cunningham Company. Died 2011 (to
- be checked). <br>
- > <em>Biped </em>(1999): interaction of living artists and virtual beings.
- Quoted by [<a href = "Eipm.htm#Moindrot">Moindrot 2013</a>], p. 197. Quoted
- with picture in [<a href = "Eipd.htm#Dixon">Dixon</a>]. <br>
- > Life Forms (1997). Cited by [<a href = "::/Eipd.htm#Dixon">Dixon 2007</a>].
- <br>
- Cited by [<a href = "Eipb.htm#Baudouin">Baudouin</a>] </p>
- <p><a name = "Minh_Cuong"></a> </p>
- <p><strong>Cuong Castaing Eric Minh</strong>. See <a href = "Eips.htm#Shonen">Shonen</a>.</p>
<a name = "Curien"></a>
<p><a href = "http://frederic-curien.magix.net/website"><strong>Curien Frédéric</strong></a>. Composer and sound artist. A member of <a href = "Eips.htm#Sliders">Sliders Lab</a> group.<br>
> <em>Résonances </em>(2003). </p>
<a name = "Cuss"></a>
- <p><strong>Cuss</strong><br />
- A collective, founded by Ravi Govender, Jamal Nxedlana and Zamani Xolo.
- Collaborative and multimedia. Video, installations, performance, textile.
- One page in [<a href = "Eipd.htm#Dermineur">Dermineur</a>].<br>
- > <em>Emission Cuss </em>(2012). Video installation. </p>
- <a name = "CuteCircuit "></a>
- <p><a href = "http://cutecircuit.com/"><strong>CuteCircuit </strong></a>. Womenswear
- <br>
- > <em>Soundshirt</em> (2015) in collaboration with the Junge Symphoniker
- Hamburg. Sound signals from an orchestra are transtlated into vibrators
- placed on the body of the wearer. Basses touch the torso's lower parts,
- trebles touch the higher parts. </p>
<a name = "Cutlog"></a>
<p><a href = "http://www.cutlog.org/"><strong>Cutlog</strong></a> is French event, organized in Paris, and in New-York, colocated with Frieze.<br>
- Our post about <a href = "Blog/Cutlog_NY_2013.html"> Cutlog New-York 2013</a> </p>
<p><a name = "CyberArts "></a><strong>CyberArts </strong> CyberArts2004 . The meeting catalog.</p><a name = "Cybernetic_Serendipity"></a>
<p><strong>Cybernetic Serendipity</strong>. From <a href =
"http://dada.compart-bremen.de/node/3129">Compart</a> page
: (It) was the first large international exhibition of
electronic, cybernetic, and computer art. It took place at
the Institute of Contemporary Arts (ICA) in London, UK,
from 2 August to 20 October
<a name = "Cycling74 "></a>
<p><strong>Cycling 74</strong><br>
> <em>Max MSP</em> (1985 c.) <a href = "http://fr.wikipedia.org/wiki/Max/MSP">Wikipedia</a>. Tutorials by CECN <a href = "Blog/CECN_2011_09.htm">CECN (9/2011)</a>.</p>
<p><a name = "Cypher"></a><strong>Cypher Mark</strong>. Siggraph 2006: Presentation: Biophilia rather 2D generative.. </p>
<a name = "Czarnecki" ></a>
<p><a href = "http://www.ginaczarnecki.com/">
- <strong>Czarnecki Gina</strong></a>. Graphics. e <br>
- > Heirloom (2016C). Bio-art <br>
- > <em>Nascent</em> (2005)
- quoted by [<a href = "Eipg.htm#Grau">Grau</a>], with a color photo. </p>
<p> </p>
<p><a name = "Czegledy"></a><strong>Czegledy Nina</strong>.
- Multisensoriality.
[<a href = "Eipp.htm#Popper2 ">Popper 2</a>] pp. 169-173.</p>
<br><hr>
<p> </p>
<p><a href = "http://paris.siggraph.org/"></a>...
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- <a href = "http://www.galeriecharlot.com/galerie/"><img src = "Images/Charlot_Logo.jpg" width = 200 /></a></p>
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